1) On the Creative Psychology in Oil Painting
论油画的创作心理
2) On the Creative Process of the Oil Painting
论油画创作过程
3) A Tentative Exploration of the Creation Psychology of Hai Zi
论海子的创作心理
4) oil painting
油画创作
1.
Expounded is the significance and reason why water and mount subject is expressed in oil painting in terms of the relationship between man, nature, inspirations from traditional mount & water culture and enlightment drawn from the previous mount & water masterpieces.
从人与自然的关系、传统山水文化的感召、传统山水画大家创作的启示几个方面,论述了山水题材在当代油画创作中出现的原因与意义,希望对油画创作注重中国特色有所补益。
2.
As an important way of expression in Chinese contemporary oil painting, the tendency of complanation bears vivid characteristics of coevality.
平面化倾向是当代中国油画创作中的一种重要的表现方式，它具有鲜明的时代特征，与消费文化、媒体技术、网络文化、审美观念、传统人文精神等有着千丝万缕的联系。
6) oil painting creation
油画创作
1.
With the fast-paced development of oil painting,due to the shackles of traditional painting conception,coming of imagination time and the impact of multi-culture art trend from the Western,there is some misunderstandings in the current oil painting creation which we need to pay much attention to.
在中国油画创作极速发展的时期,由于某些旧传统的负累、图像时代的迅速到来以及西方多元艺术思潮的冲击,使当前的油画创作出现了一些误区,值得关注。
补充资料：“长城”(油画)
“长城”(油画)
“长城”(油画) 作者：李健
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条