1.
Seeking Emotional Ideal of Chinese Painting in Creating Oil Painting──An explanation in creating oil painting 《Ancient Charms at Min Nan(Southern Fujian)》;
在油画创作中寻找中国绘画的情感境界——《闽南古韵》油画创作阐释
2.
Oil Painting on the Contemporary Background--Talks on small size oil paintings;
当代背景下的油画艺术——谈小幅油画创作
3.
On the Painting Materials in the Use and Development in Contemporary Oil Painting;
论绘画材料在当代油画创作中的运用和拓展
4.
Painting from the Parts:Interpreting Lucien Freud's Oil Painting Techniques
从局部画起:卢西恩·弗洛伊德的油画创作技法
5.
Toward the Spiritual Quality of Oil Painting Creation and Material Expression of One s Thoughts and Ideas;
油画创作与材质语言的精神品质论谈
6.
Pondering over the Misunderstandings of Modern Chinese Oil Painting
对中国当代写实油画创作误区的思考
7.
Shallow Discussion on the Meanings of the Paints Arrangement on Palette in Oil Paintings Creation;
颜料的设置及色彩运用在油画创作中的作用
8.
The Function of the Subconscious in Oil Painting Creation and the Research of It's Operation
潜意识在油画创作中的作用与运用研究
9.
On Thinking of "Watching" Method and Creating Practice;
论赣南客家人物形象油画创作中的审美观照
10.
Study on the Tendency of Complanation in Chinese Contemporary Oil Painting;
中国当代油画创作中的平面化倾向研究
11.
A Study of the Relationship between Zhuangzi s Aesthetic Standards on Beyond Utilitarianism and Whole Faithfulness in Painting Creation;
庄子“超功利”、“自然率真”的审美态度与油画创作
12.
A brief talk on the application of multimedia CAI software in the oil painting education;
浅议多媒体CAI课件在油画创作教学中的应用
13.
A Superficial Assay of Minorities Materials in Oil-painting Application;
少数民族题材在油画创作中的应用刍议
14.
The Folk Image and the Cultural Significance of Chinese Oil Painting;
中国油画创作中的民俗形象与文化意义
15.
While Creating the Oil Painting Thinking and Expression of the Image Language in Chinese
关于油画创作中——中国意象语言的探索与思考
16.
Xinjiang's Natural Resources Effect on the Formation Colour and Develepment of Xinjiang's Oil Painting Feature
论地域资源对新疆油画创作色彩的影响
17.
The Creation of Contemporary Chinese Oil Paintings under the Context of Visual Culture
视觉文化时代背景下的当代中国油画创作
18.
The Thinking of Oil Painting's Scenery Creation out of the Chinese and Western Drawings
从中西绘画比较中思考油画风景创作