3) women disguised as men
女扮男装
1.
The figures of women disguised as men have both feminine beauty and literati stylization at the same time,so they accord with aesthetic needs of female literati stylization and male feminization.
"女扮男装"形象身上兼具了"阴柔美"和"文人化"两种气质,符合女性"文人化"和男性"女性化"的审美需要,当两种倾向发展到明清时被普遍接受,也有其深层的原因,随着两种倾向的发展,"女扮男装"故事到清时也成为一种固定的模式,但传统的性别意识,性别角色又影响了不同性别作家笔下的故事演绎和形象描摹。
2.
The emergence and the development of the themes of women disguised as men in Chinese classical literature has their given social historic background, which is closely related to the status and circumstances of the women in their actual life and follows the course of history in the pattern of the worsening-loosening-re-controlling of the oppression of the feudal rites.
中国古代文学中女扮男装题材的出现及发展,有其特定的社会历史背景,与女性在现实生活中的地位、境遇息息相关,伴随着礼教压迫沉重———暂时松弛———重新控制的历史进程而不断沉浮。
5) eonism
['i:ənizəm]
男扮女装癖
6) She was disguised in male attire.
她女扮男装。
补充资料：扮鬼脸
指脸上装出怪样子。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条