2) Two Basic laws of Regular script in Chinese Calligraphy
楷书的两大规律
3) Liang Kai
梁楷
1.
Morandi,Balthus,Liang Kai s works are embodied through paintings,their choice of subject, the operating position,their use of pen and color are all influenced by simple art awareness.
莫兰迪、巴尔蒂斯、梁楷的作品是通过绘画形式得以体现的,他们在选题、经营位置、用笔、用色都受到艺术简约意识的影响。
4) regular script
楷书
1.
The regular script has special charms with square fonts,compact and exquisite structures,and rigor and normalization.
楷书是中国书法长河中一颗灿烂的明星和绚丽的奇葩。
2.
The paper shows that Technology the structure prinicples of the Chinese regular script fit the principles of mechanics,after the equilibrium analysis,steadily analysis,the centre of mass analysis,the moment of force analysis and moment of inertia analysis to Chinese regular script structure.
通过对楷书结构的平衡分析、稳定分析、质心分析、力矩分析和转动惯量分析,从 而说明这与楷书间架结构的原则是一致的。
6) Kaishu
[kaiʃu:,'kaiʃu]
楷书
1.
Social Material Foundation for the Development of Kaishu in Late Han Dynasty and Wei-Jin Period;
论汉末魏晋楷书发展孕育的物质基础
2.
In Tang Dynasty, the Kaishu development entered a new stage.
在唐朝，楷书的发展进入一个新的阶段，法度森严是其总的特点，楷书在法度化地同时也出现了由于过于整齐而有失生动的现象。
3.
Some experts are calling for more attention on the traditional character typeface especially Kaishu and the Woodblockprint typeface.
有识之士呼吁应重视传统字体,尤其楷书书法及雕版印刷字体。
补充资料：大楷
1.书法上以较大的正书为大楷。相对于中楷﹑小楷而言。 2.拼音字母的大写印刷体。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条