1) Chinese painting, calligraphic scolls and rubbings
书画碑贴
2) inscription on the stone tablets
碑贴
4) epigraph of Shui characters
水书碑文
1.
To identify and understand the epigraph of Shui characters,people should at first master Shui characters,then grasp the point of breakthrough after finding the cause .
用水族古老文字镌刻的墓碑十分罕见,这是研究水族古代习俗不可多得的实物史料,识读水书碑文,应在基本掌握水书文字的基础上,找准视点,摸清脉络,方能抓住突破口,准确地破译其文意。
5) painting and calligraphy
书画
1.
Study on the art performance of personal style in painting and calligraphy;
个人风格在书画中的艺术表现探析
2.
The Fu family,which passed on Confucian classics,Painting and calligraphy from generation to generation,was well-known as a literary family in Taiyuan even in Shanxi province.
傅氏家族,世代传承书画经文,为太原乃至三晋有名的书香门第。
3.
In Su Shi s abundant thoughts of painting and calligraphy,"place interest on painting and calligraphy but not be indulged in"is most notable.
在苏轼丰富的书画理论思想中,"寓意而不留意"的书画思想尤为引人注目。
6) calligraphy and painting
书画
1.
Potential analysis of calligraphy and painting on tour market;
书画在旅游市场的潜力分析
2.
Impaction of market economy on creation of calligraphy and painting——about Chinese modern literati painter;
书画艺术创作与市场经济的碰撞——当代中国文人画家解读
3.
In stone tablets with book models, he, by comparison, re-examines the artistic value of tablet carving and calligraphy; in their relationship, he holds that calligraphy and painting are of the same source; in aesthetic perception, he.
在继承与创新问题上,他主张“师法古人,变化在我”,重视继承,更强调创新;在碑、帖问题上,他通过对二者的比较重新审视碑刻书法的艺术价值;在书画关系问题上,他主张“书画同源”;在审美观念上,他认为美与丑可以相互转换。
补充资料：书画
1.书法和绘画。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条