1) man-tailored women's apparel.
男式女装
2) women's wearing men's suit
女着男装
1.
The phenomenon of women's wearing men's suit in Tang dynasty is a flashing point in China' s attire history.
唐代出现的女着男装现象,是中国服饰史上的闪光点,本文试从唐代的社会开放、灿烂文明等方向来 剖析这一现象,指出这一现象的出现是历史的抉择,是时代的必然。
4) women disguised as men
女扮男装
1.
The figures of women disguised as men have both feminine beauty and literati stylization at the same time,so they accord with aesthetic needs of female literati stylization and male feminization.
"女扮男装"形象身上兼具了"阴柔美"和"文人化"两种气质,符合女性"文人化"和男性"女性化"的审美需要,当两种倾向发展到明清时被普遍接受,也有其深层的原因,随着两种倾向的发展,"女扮男装"故事到清时也成为一种固定的模式,但传统的性别意识,性别角色又影响了不同性别作家笔下的故事演绎和形象描摹。
2.
The emergence and the development of the themes of women disguised as men in Chinese classical literature has their given social historic background, which is closely related to the status and circumstances of the women in their actual life and follows the course of history in the pattern of the worsening-loosening-re-controlling of the oppression of the feudal rites.
中国古代文学中女扮男装题材的出现及发展,有其特定的社会历史背景,与女性在现实生活中的地位、境遇息息相关,伴随着礼教压迫沉重———暂时松弛———重新控制的历史进程而不断沉浮。
6) virilescence of suit-dress
女装男性化
补充资料：譍门女
1.唐孟棨《本事诗．情感》谓﹕唐代崔护清明郊游﹐至村居酒渴求饮。有女应门﹐以杯水至﹐"设床命坐。独倚小桃斜柯伫立﹐意属殊厚。"明年清明再访﹐"门墙如故﹐而已锁扃之"。因题诗于扉曰﹕"去年今日此门中﹐人面桃花相映红。人面不知何处去﹐桃花依旧笑春风。"后用为典故。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条