Giving up the attempt to judge which part should come first in the narrative order, the author of this paper holds that the poem and the comment, like two crossing pale fires on the same plane, mutually bring to light a demon of pity wandering in the textual world.

The Shakespearean tragedy is aiming at arousing tragic pleasures, such as pity and fear, while the classical Chinese tragedy, apart from winning the tears of the audience, is also trying to give moral instructions to the audience.

This essay states that although,to some extent,the fiction of the 1920s displays the tragicalness,they are far from real tragedy if they are considered from the perspective of tragedy characters,including pity,fear and tragicalness.

The attitude and expression with which Bi Feiyu concerns about the blind group brings useful inspiration to grassroots literature creation: only by expressing properly "sympathy" can help enhance the beauty of literature and the redemption of the good.