1) Zhang Bi Qianziwen Juan
张弼《千字文》卷
2) Zhang Bi
张弼
1.
From the beginning of the thought :The importance of calligraphy is self-consciousness, the article discusses Zhang Bi`s ideas on learning from predecessors creation and calligraphy, and analyzes the cause of his thought of calligraphic theory.
文章从"书贵自得"的这一理念出发,探讨了张弼的师古观、创作观和艺术观,并对张弼"书贵自得"书学思想的形成原因作了初步的分析。
2.
This article is a research about Zhang Bi, a cursive hand calligrapher in the earlyMing Dynasty, and the kernel of it is to discuss the causes of the forming of Zhang Bi’scursive hand style.
本文是对明前期草书家张弼的个案研究，重点探究了张弼大草书风形成的原因。
3) Zhao Ji Caoshu Qianziwen Juan
赵佶《草书千字文》卷
4) Thousand Words
千字文
1.
On Thousand Words Written in Grass Style in the Qunyutangtie;
《群玉堂帖》大字草书《千字文》浅说
5) Zhang Bishi
张弼士
1.
On Zhang Bishi s Method of Management and New Ideas in Science and Technology;
论张弼士的经营哲学与科技创新
2.
Zhang Bishi,ther modern Chinese industrial forerunner,was one of the pioneers of the Hakka businessman culture.
近代民族工业的先驱者张弼士是“客商”文化的开拓者。
6) Zhɑng Bi
张弼(1425～1487)
补充资料：张弼《千字文》卷
中国明代书法家张弼草书的代表作之一。张弼(1425～1487)字汝弼,号东海，江苏华亭(今属上海市)人。成化丙戌(1466)进士，曾任南安知府。此卷为纸本，草书，纵 24.2 厘米，横 767厘米。此卷款署"成化二年丙戌(1466)，张汝弼在北京之长安南第书"，可知系张弼42岁时在京城所书。用笔迅疾飞动，错落有致，带有较多狂草笔意，堪称他的精心之作。本幅第一接纸末尾处曾被割去一行，缺"平景行" 3字。卷前后有明王世贞等人鉴藏印多方。现藏故宫博物院。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条