1) Wu Rui Lishu Lisao Zhuanshu Qianziwen Juan
吴叡《隶书离骚篆书千字文》卷
3) seal characters;seal script
篆字; 篆书
4) Zhao Ji Caoshu Qianziwen Juan
赵佶《草书千字文》卷
5) On Wu Changshuo's Seal Characters
吴昌硕篆书评述
6) seal character
篆书
1.
Wu Changshuo was a versatile master artist skilled at poetry writing, calligraphy, Chinese painting and sealengraving, especially his seal characters which are unique in the world.
吴昌硕是一位诗书画印全能型的艺术大师,尤以篆书最为“名世绝品”。
2.
This thesis does the mainly analyze to the "write" from the meaning of it, and from the comparison of "write" in the flower-and-bird painting and seal character by Wu changshuo, and from the research of case of how to express the "write" in work ,make a general answer to these two questions.
本文从对“写”的含义辨析入手,对什么是“写”进行了初步的整理分析,进而通过对吴昌硕的花鸟画和篆书中“写”的比较,从个案研究出发对怎么“写”、作品中何以体现,这两个问题做了一个浅略的解答。
补充资料：吴叡《隶书离骚篆书千字文》卷
中国元代吴叡书法作品。吴叡(1298～1355)，元代精于篆隶书的书法家。字孟思，号云涛散人，先世为濮阳人，后移居杭州。此卷纸本，前段隶书纵 28.2 厘米，横223.2厘米。后段篆书纵27.7厘米，横240.6厘米，前段用隶书书写战国楚屈原所撰的《离骚》一篇，书于元统二年(1334)，是吴叡37岁时所写。后段用篆书书写南朝梁周兴嗣所撰《千字文》一篇，书于至正四年(1344)，是吴叡47岁时为其友人廖如川所写。前段隶书学汉碑体，法度谨严，后段篆法起落笔处俱尖，是战国秦篆书刻石《诅楚文》的笔法。卷后有元张雨、杜本、黄清老、戴洙、蔡宗礼题跋。曾经清王澍、戴植、汪士元收藏，卷上均钤有鉴藏印。《麓云楼书画记》著录。现藏上海博物馆。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条