This paper first defines the nominal chunks of Tibetan according to the structures and syntax.

Taking as a case study the poem in A Portrait, the paper has demonstrated its intrinsic beauty in form and content, by making a functional stylistic analysis of those deflections in rhythmic patterns, nominal groups and clauses.

This is the case with the translation of the English titles(noun phrases) into Chinese,where the whole semantics of the text involved is taken into account and the relevant meaning and function is located and mapped onto the semantics of the titles.

By an analysis of the structure,grammatical functions of English noun phrases and a probe into the definition and classification of the determiner,this article makes a further approach to the Absolute necessity of the central determiner in English noun phrases while the pre-determiner and post-determiner are optional.

The aspect in English is mainly decided by the interplay between the syntactic-semantic features of the verb and those of the noun phrases used as the subject and object of the sentence.

They hold different views on language units and meaning realization,among which the general principle is that clauses realize situations while nominal groups realize things.

Thing and Head are two important concepts concerning the nominal group.

This paper makes an attempt to account for the deictic elements in nominal group,with particular reference to their systems and order.

DU—Fu always made use of a special kind of noun phrases in his poems.

First, we attempt to classify labeling noun phrases from semantic perspective.

English noun phrases can be divided into two types:bounded noun phrases and unbounded noun phrases.