1) chorus of Dong-nationality
侗族歌班
1.
Focused on the chorus of Dong-nationality, mainly on its structure and educational function, this dissertation aims to answer the above-mentione.
本文以侗族歌班为切入点,全面考察其结构和教育功能,就是试图通过这一案例从教育学的角度回答上述问题。
2) Dong folksongs
侗族民歌
1.
The colorful Dong folksongs are still alive broadly in the real life of Dong people.
多姿多彩的侗族民歌仍然广泛存活于侗族人的现实生活中,人们演唱侗歌并非纯粹的艺术行为,而是审美交流的一种基础方式,相应地形成了一整套运用侗歌表演来展演审美习俗的繁复而固定表演机制。
3) Dong minority big song
侗族大歌
1.
Dong minority big song intellectual property rights protection discussion and legal protection analysis;
侗族大歌知识产权保护探讨与法律保护分析
2.
A Survey of Singing Styles and Forms Characteristics of Dong Minority Big Song;
侗族大歌演唱及形式特征研究
4) the Dong chorus
侗族大歌
1.
50 -Year Studies on the Dong Chorus (continued from last lov. );
侗族大歌研究50年(下)
2.
An Outstanding Achievement in the Development of the History of the Dong Chorus ——Historic contribution of the Chorus of the Dong folk singers;
侗族大歌发展史上的一次辉煌——黎平侗族民间合唱团对侗族大歌发展的历史性贡献
3.
But with the acceleration of human modernization, the Dong chorus is continuously affected and totally shocked by modernization, external cultures and market economy.
侗族大歌是侗族民间世世代代以口传心授为传承方式并流传下来的、具有自己独特完整的多声部支声复调音乐体系的无伴奏、无指挥原生性的民间合唱音乐。
5) the polyphonic Dong Chorus
侗族大歌
1.
From the aspect of folk musicology, it is of great value and significance to sum up and de-scribe the studies and scientific research results of the polyphonic Dong Chorus during the past 50 years, and to discuss the environment and the time in which the Dong Chorus came into being, and the overall form and classification of the music.
从民族音乐学的角度,将50年间(1953-2002年)国内、外侗族大歌研究的成果进行归纳、描述,对侗族大歌产生的环境、产生的年代以及音乐的总体形态特征和分类等进行探讨,具有重要的价值和意义。
补充资料：遗传多态性──中国的民族广西三江侗族自治县侗族
金峰摄
[图]
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条