1) Academy School female writers
学院派女作家
2) academic writers
学院派作家
3) woman writers of Beijing School
京派女作家
1.
Following the woman writers of Literature Research School, the woman writers of Beijing School is regarded as a female group of remarkable achievements, which existed simultaneously with the woman writers of the League of Leftist Writers.
京派女作家是继文研会女作家之后,与“左联”女作家并立、成就显著的女性书写群体。
4) women writers of Shanghai School
海派女作家
1.
The writing by the fourgeneration women writers of Shanghai School is distinctive due to their different times,life experiences,and values and beliefs.
不同的时代背景、生活经历、价值观念,构成了四代海派女作家不同的创作阶段,但是上海独特的文学生态环境和女性天性中带来的对都市的迷恋和认同,使得上海在她们笔下呈现出一脉相承的世俗性和欲望性。
2.
Analyzing the female physical narrative in novels of women writers of shanghai school in 1940s, the dissertation wants to find out the consciousness of female subject displaying in female physical narrative.
本文主要分析了二十世纪四十年代海派女作家小说创作中的女性身体叙事,并试图从中探寻女作家在小说身体叙事中表现出来的女性主体意识。
5) Shanghai school woman writer
海派女作家
1.
This article is aimed closely at the subject of Shanghai life written by Shanghai school woman writers.
本文紧扣海派女作家笔下的上海生活这一主题,以流变梳理和逻辑分析相结合、文本研读与作家考察相结合的方法,透过上海有代表性的四代海派女作家(以张爱玲、苏青为代表的第一代,以王安忆为代表的第二代,以陈丹燕、潘向黎为代表的第三代,以卫慧、棉棉为代表的第四代)对上海的书写,挖掘这个流动而又稳固的群体在观照这座城市时的共性和个性。
6) New Female Writers
新女性派作家
1.
Female writing in the period of the May Fourth movement present polymorphous type and among the female writers,LuYin, Dingling ,Baiwei,Shipingmei and Fengyuanjun resisted more firmly feudalism, it was named New Female Writers.
五四新女性派作家们又是生活在特殊的社会环境中的一批女性,她们不仅受到了来自家庭的传统教育还接受了新思想和新文化的洗礼,因此在她们的身上又打上了很明显的中国烙印,她们的作品中有西方女性主义作家没有的文化特色,如强烈的反封建意识以及对包办婚姻的反抗、与民族、革命相联系的题材的拓展等等,因为身处在一
补充资料:新小说派作家
阿兰·罗伯—戈里耶、娜塔莉娅·萨洛特、米歇尔·布托尔、克洛德·西蒙、克洛德·奥利尔、罗贝尔·潘热、让·里加尔杜以及玛格丽特·杜拉丝。新小说派
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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