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1)  wash system
水墨画体系
2)  wash painting
水墨画
1.
This paper points out that China modern wash painting has been making mistakes by analyzing the background of modern China wash painting.
文章在分析了近代中国水墨画的时代背景后,指出了在看似华丽的外表下,近代中国水墨画已经走入误区。
2.
Theoretically and historically,the scholar painting includes the wash painting as well as the fine bruch painting,which are the two trunks on the big tree of Chinese painting.
无论从理论上讲还是从历史事实上讲 ,文人画不仅包括了水墨画 ,也包括了工笔画 ,水墨画和工笔画是中国画这棵大树上两个干粗叶茂的分枝。
3.
Compared with wash painting,however,it still remains marginalized in China.
近年来,我国的水彩艺术虽然取得了较大的发展,但和水墨画比较而言,在我国仍处于一种"边缘化"的状态。
3)  Washpainting
水墨画
1.
Technological painting coexisted with washpainting as a kind of painting form.
工笔画作为与水墨写意画共生的绘画形式 ,曾因水墨画的盛行而一度被冷落。
4)  ink and water painting
水墨画
1.
From the "bkck" of ink and water painting and "colored characteristic" of aquarelle,ink and water painting series "pen and ink""spend" characteristic respect of modeling,the author compares with thread "with aquarelle simple".
水墨画与水彩画都使用水性颜料,均有水感特征,因而是有可比性的两个画种。
2.
Chinese ink and water painting and western water color are respectively from their own national cultures:each has its own traditional philosophical concept and esthetic sense;each shows its characteristics while both are closely related.
水墨画与水彩画各自扎根于东西方民族文化的根基 ,受其传统哲学观念、审美意识的影响很深。
3.
The blue and white porcelain and the ink and water painting origin in the Chinese five millennium civilized traditions, they are all the mind flash and inner mad thriving of the Chinese nation.
青花瓷与水墨画渊源于中国五千年的文明传统,他们均是中华民族心灵的闪光、内气的勃发。
5)  The Wash
水墨绘画
6)  ink painting
水墨画
1.
The reference of local designs for the ink paintings should start from the designing methods and explore the deep connotations of the ink paintings so that a certain concept and clear idea would be formed.
本土设计对水墨画艺术的借鉴,必须以设计的方式深入探究关于水墨画深层精神内涵的时代发展可能,以此形成明确的概念、清晰的现代理念,同时以意象的方法创意,重新发现传统水墨艺术的精髓,寻找一种新的方式创建民族设计经典。
2.
As a painting technique, ink painting emerged only about 100 years ago.
因此,本文作者认为,从彩墨画产生的时代背景来看,表面上好像是受到西方绘画的刺激而产生的对中国传统水墨画技法的变革,但实质上却是中国绘画在新的历史条件下发展的艺术审美需要,和当时中国社会要求变革的总趋势是吻合的。
补充资料:水墨画
水墨画

    见中国画。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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