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1)  Zheng modes
筝调
1.
In this dissertation, the classification of Twenty-Eight Modes is used as an angle of view, Zheng modes in the ancient books and notations, are generalized the Diaosheng and Yungong system.
本论文以燕乐二十八调的分类为视角,把典籍、古谱所记录的古今筝调归纳为“调系”和“均系”两个系统。
2)  the Modulation Zheng
转调筝
3)  Zheng
1.
Zheng is one of the oldest Chinese music instruments.
筝作为中国古老的乐器之一,从其定型起历经两千多年的岁月,仍旧发挥着独特的魅力,让人们爱不释手。
2.
Modern Zheng laughs because work gives China development of tradition Zheng bend,Smriti brings about the new visual angle,and gas of having given to new philosophic theory.
现代筝乐作品给中国传统筝曲的发展、传承带来新的视角,并赋予了新的哲理之气。
4)  Kite [英][kaɪt]  [美][kaɪt]
风筝
1.
Explanation of the folk sports function from culture vision——with kite as an example;
文化视野中民间体育功能的阐释——以风筝为例
5)  The Kite
《风筝》
1.
On the Spiritual Coincidence in San-mao with Lu Xun s the Kite;
三毛与鲁迅《风筝》的精神“遇合”
2.
The Transmigration from Self-Dissection, Self-ill treatment,and the Failure of Self-Rescue --Rereading "The Kite;
自剖,自虐和自救——重读《风筝》
3.
In it The Kite reflects this kind of opposition.
鲁迅的散文诗集《野草》创造了与现实世界对立的另外一个世界,其中的诗篇《风筝》就体现了这种对立的情况。
6)  Guzheng
古筝
1.
The Skills and Sensibility in Playing the Guzheng——How to Cultivate Students Sensibility;
筝技与乐感——古筝演奏中乐感培养的实施
2.
The performing technique and appreciating method of Guzheng;
古筝的演奏技巧和欣赏方法
3.
The Culture of Guzheng and Its Spread in Guizhou;
古筝文化及其在贵州的流传
补充资料:调筝
1.弹筝。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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