1) aesthetics on new poems
新诗美学观
2) formal aesthetics theory of Modern Chinese Poetry
新诗形式美学观
3) standard of poetic aesthetics
诗美学观
4) the aesthetic standpoint of poetics
诗学美学观
1.
Hence in this paper,I will commence from the summarize to some productions of grand old man,discuss emphasize how to exercise "alone" word and it s standpoint of poetics in the poetics of Jiao Ran from the aesthetic highness,while, give a accidence explain to the aesthetic standpoint of poetics in the unification of Buddhism and Taoism.
在总结前人成果的基础上,着重从美学的高度来探讨皎然僧诗歌创造里"独"的运用及其诗学观,并对其释道圆融的诗学美学观作初步阐释。
5) new aesthetics notion
新美学观
1.
The relationship between the modern design originated from industrial revolution and new aesthetics notion established on the modern design is dependent and supporting each other.
工业革命条件下发展起来的现代设计与因现代设计思想而确立的新美学观是相互依赖、相辅相存的。
补充资料：不自观音，以观观者
【不自观音，以观观者】
不自观音者，谓不随声尘所起知见也。以观观者，谓返照自性也。不起知见，则无所妄；返照自性，则一切真寂，无复苦恼。故令受苦众生，蒙此真观，即得解脱，是为无畏。经云：观其音声，即得解脱。是也。
不自观音者，谓不随声尘所起知见也。以观观者，谓返照自性也。不起知见，则无所妄；返照自性，则一切真寂，无复苦恼。故令受苦众生，蒙此真观，即得解脱，是为无畏。经云：观其音声，即得解脱。是也。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条