1) love song culture
情歌文化
2) ballad culture
歌谣文化
1.
Today,when the ethnic tourism is gradually moving toward the market,how should we cultivate the function of Bai people s ballad culture in tourism and bring it into full play in tourist s scenic aesthetics? The essay makes a probe into the ways and patterns of utilizing Bai people s ballad culture as a tourism product.
白族歌谣是反映白族社会生活的百科全书,在民族旅游逐渐走向市场的今天,如何更好地挖掘白族歌谣文化的旅游功能,发挥它在旅游景观审美过程中的作用?本文对白族歌谣文化旅游产品的开发思路、开发模式进行了初步探讨。
3) poetical culture
诗歌文化
1.
After nearly one thousand years of accumulation, traditionalpoetical culture of Yongjia, which was gradually absorbed and enhanced by its native poets, held an important position in the circleof poets in late Song Dynasty, especially with the rise of Wenzhou poets.
经千百年积淀的永嘉传统诗歌文化,不断地被本土诗人们吸收、弘扬。
5) antiphonal singing culture
对歌文化
6) the culture of the song clan
歌族文化
1.
Though changeful,the essence retains its identity while appearances may vary,thus the culture of the song clan comes into being,which becomes an important compo.
我国地域广袤,孕育了浩如烟海、风格各异的民歌体裁和品种,在音乐不断传播演变的过程中,不同地区出现了一些词同曲异、曲同词异、词曲大同小异等民歌的变体形式,尽管变化多端,却又万变不离其宗,因此歌族文化应运而生,成为中国文化史上的重要组成部分。
补充资料:《仓央嘉措情歌》
《仓央嘉措情歌》 中国17世纪藏族情歌集。第六世达赖喇嘛仓央嘉措著。作者始终未能忘情于世俗生活,以亲身感受创作了大量诗歌,写出了人的内心矛盾和对现实生活的理想,突破了宗教对人性的束缚。这些作品不但思想内容积极进步,而且具有很高的艺术技巧。格律结构上,采取了谐体民歌的形式,基本上每首四句,每句六个音节,分为三拍。即四句六言三顿,节奏响亮,琅琅上口。情歌多取比兴,直抒胸怀,自然流畅,通俗易懂,为藏族诗歌创作开拓了新的诗风。 |
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