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1)  ideographic characteristic
写意化叙事
2)  narrating through imagery
意象化叙事
1.
Her narrating through imagery and ironic narrating lays special emphasis on orientating the reader s feelings and perception towards the inner worlds of the characters.
张爱玲的小说追求一种激光般的深度的艺术穿透力 ,她的意象化叙事与反讽叙事侧重于将读者的感受导入人的内心世界。
3)  "Political poetry" recount strategy
"政治诗意化"叙事
4)  image of narrator
意象化的叙事者
1.
At the level of narrative,the stone,as the image of narrator,started to narrate,the beginning of The Dream of Red Mansion was traced back to the time when Nüwa repaired the sky,the uncertainty of the history helped to open wide from time to space,the plot was weakened so that the emphasis was laid on love.
在叙事层面,通过设立"石头"这一意象化的叙事者,而把红楼开场回溯至女娲补天的苍茫时刻:史前之时的不确定性,实现了时间向空间的敞开;石头开口说话(叙事),实现了话语向诗语的敞开;情节淡化,实现了故事向情的敞开。
5)  narrate to figure personality
叙事写人
1.
This text has a foothold to order oneself in the punctuation and annotation of novel in Ming-Qing dynasty, takes the idea of narrating in China as jumping-off point, puts forward the proposition "narrate to figure personality" and commands the outline of the full text contents with it, then studies the theory afr.
本文立足于明清小说评点本身,从中国自身的叙事理念出发,提出“叙事写人”命题,以此作为统率全文内容的纲领,对这一理论进行了重新审视和观照。
6)  narrative intention
叙事意图
1.
Yu Hua s novels have consistently consulted the real world with a strong narrative intention of alluding to reality, but the narrative intention differed in feature in his early and late works with the intenseness of function and closeness to reality shown by narrative symbols used in his works at various periods.
余华的文本世界始终参照现实世界的 ,并有着暗示现实的强烈的叙事意图 ,但由于余华在不同时期于文本中所采用的叙事符号的功能性与现实性的强弱不等 ,其叙事意图的体现呈现出前后不同的特色。
补充资料:公理化方法(见公理化和形式化)


公理化方法(见公理化和形式化)
axiomatical method

  gongllbuafangfa公理化方法化和形式化。(axiomatieal method)见公理
  
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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