3) flower-bird detail drawing
工笔花鸟画
1.
The paper indicates the present condition of the teaching of flower-bird detail drawings,and expounds the significance of coping the traditional technique and sketching in the teaching .
指出工笔花鸟画教学的现状,阐述工笔花鸟画教学中临摹传统的重要性,论述写生在工笔花鸟画教学中的重大意义。
2.
When expounding the origins and the schools of flower-bird detail drawings,the paper reviews the resurgence and innovation of the modern ones and indicates their present condition and the trend of their development.
追溯花鸟画的起源、历代的发展简况及产生风格流派,探讨20世纪现代工笔花鸟画的复苏与创新原由,最后指出现代工笔画的现状与发展趋势。
4) meticulous flowers-and-birds painting
工笔花鸟画
1.
Study on Form Language of Meticulous Flowers-and-Birds Painting between Song Dynasty and Modern Time;
宋代与现代工笔花鸟画形式语言比较研究
2.
Chen Zhifu is a creative artist of meticulous flowers-and-birds painting in modern times.
陈之佛是近代一位富有创新意识的工笔花鸟画家,以独特的技法语言和新颖的绘画风格,继承和发展了工笔花鸟画。
6) Chinese traditional exquisite brush flower-and-bird painting
传统工笔花鸟画
1.
Yong Zheng famille rose decoration with flowers and birds has got splendid achievement in Chinese tradition ceramics art, Its similar to Chinese traditional exquisite brush flower-and-bird painting in some aspect, but it has peculiarity as a ceramics handicraft artistic product.
雍正粉彩花鸟装饰在中国传统陶瓷艺术中取得了辉煌成就，它在某些方面与传统工笔花鸟画之间存在相似性，它又有着作为陶瓷工艺美术品所具有的独特性。
补充资料：花鸟画
| 花鸟画 中国画传统画种之一。以动植物为主要描绘对象。具体还可分成花卉、翎毛、蔬果、草虫、畜兽、鳞介等类。以表现技法的精细或奔放，分为工笔类型和写意类型。前者更具写实性并有一定装饰性，精丽雅致；后者则笔墨简练，洒脱奔放。以水墨色彩的区别又可分成水墨花鸟画、泼墨花鸟画、设色花鸟画、白描花鸟画和没骨花鸟画。现藏美国的东汉壁画《双鸦栖树图》为已知最早独幅花鸟画。唐、五代、北宋时花鸟画极为繁荣。后代画家更广泛发展了花鸟画风格流派。近现代齐白石则在继承前人又发展传统的基础上成为一代花鸟画大师。中国花鸟画的鲜明特点为：以写生为基础，寓志、抒情为情感表达方式。它具有适合中国传统的审美需求而逐步完善成熟的特征。在造型方法上，以齐白石的追求“不似之似”、“妙在似与不似之间”为代表的观点可以概括。它既重形似又高于拘谨的形似，更重视作者的志趣，寓意。在构图上，花鸟画以主体突出、虚实相生为物色，至于写意花鸟，更善于将书法以资画，题诗以言志，辅以印章等。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条