2) fine brushwork figure painting in modern China
现代工笔人物绘画
4) realistic figure painting
工笔人物画
1.
This paper carries out an intensive research and comparison from such aspects of conception,modeling,lines,coloring composition and painting style,based on a great deal of excellent ancient and contemporary realistic figure paintings.
本文对古今工笔人物画力作,从造型、用线、敷色以及绘画的装饰风格诸方面进行了深入细致的实例比较研究,以期为现代工笔人物画对古代传统的传承与创新梳理出一条较为清晰具体的脉络,从而为其进一步发展提供出更为广阔深远的历史背景与未来前景。
2.
Beginning with the all-around observation of traditional Chinese realistic figure paintings of Tang Dynasty, which is the flourishing period of ancient figure paintings, this paper introduces a meditation of modern figure paintings and gives a picture of the original relation between traditional and modern paintings.
本文从对古代人物画发展的盛期——唐代工笔人物画的全方位考察入手，引发出对现代工笔人物画振兴的思考，阐述了传统与现代的渊源关系，并着重以艺术语言的比较为构架，运用大量古今工笔人物画力作，从题材立意、造型、用线、赋色、构图以及绘画风格诸方面进行了深入细致的实例比较研究。
5) brush stroke figural painting
工笔人物画
1.
Brief Discussion on Decorative Language Application and Expansion in Modern Brush Stroke Figural Painting;
浅析装饰语汇在当代工笔人物画中的应用与拓展
2.
Analysis of Brush Stroke Figural Painting under the Contemporary Plural Culture Linguistic Context;
当代多元文化语境下的工笔人物画解读
3.
The essay studies the rise and decline course of China s brush stroke figural painting and relevant culture background, and relatively starts with the vertical vein of thought and figure painting and crosswise of the culture linguistic context of Chinese realistic painting of each developing stage of the historical growth and decline.
工笔人物画是中国画乃至中国文化的重要组成部分,研究中国工笔人物画的兴衰历程,从工笔人物画历史消长的纵向脉络以及各个发展阶段工笔人物画与文化语境的横向比较入手,探讨工笔人物画与所处时代文化语境的关系,找出其兴衰的文化根源,为当代多元文化语境下的工笔人物画创作提供借鉴。
补充资料：现代
历史学上一般指资本主义存在和无产阶级不断取得社会主义革命胜利的时代。1917年俄国十月社会主义革命是世界现代历史的开端。中国现代历史则始于1919年五四运动。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条