1) Nanyang drum word
南阳鼓词
2) guci
鼓词
1.
Based on full and accurate documents,the paper holds that Notes of Mu Lian is a script of guci,a folk singing tune and lyrics to big drum.
本文以翔实的文献资料,认为《目连记》是鼓词文本。
2.
In the middle-post Qing dynasty the stories of Liuyong had been recounted and been spread by relaters extensively, now we think The Detective Stories of Liuyong Guci which formed during the early Jiaqing was the first story about Liuyong , and when the edition was popular in the society at that time Liuyong himself was living.
《刘公案》鼓词在清代中后期被说书艺人广为传唱，现今可考最早的文本应是收存于清车王府藏曲本中的《刘公案》鼓词，其大致形成于嘉庆早年，属于刘墉在世时的作品。
3) A Study on the Auxiliary Words in Nanyang City Dialect
南阳方言助词研究
4) Nanyang
南阳
1.
The Medium Route Project of Water Transfer from South to North and Nanyang Sustainable Development Study;
南水北调中线工程与南阳可持续发展研究
2.
On the Tectonic Setting and Origin of Dushan Jade Deposit in Nanyang;
南阳独山玉矿的成矿构造背景及成因
3.
Current Situation and Development of Urban Gardening Plant in Nanyang;
南阳市区园林植物现状及发展的思考
5) two tone drum
阴阳鼓
1.
On the basis of the predecessor s research results, the paper summarizes the artistic characteristic of percussion instrument divertimento, introduces the development survey of "two tone drum" of Shenliu village, and analyses the features of the shape constitution of percussion instrument divertimento from the musical structure, the rhythm and the timbre combination.
在前人的研究成果基础上,分析并总结了神刘村“阴阳鼓”锣鼓套曲的艺术特色。
6) Yang Gongs
阳锣鼓
1.
Artistic Form of Yang Gongs in Jingshan;
荆山“阳锣鼓”艺术形态之探微
补充资料：温州鼓词
浙江曲种。流行于渐江温州地区。因过去为盲人演唱，又称"瞽词"、"盲词"。清嘉庆、道光年间已有流传，盛行于同治以后。温州鼓词早期只用竹筷敲打皮扁鼓击节。到光绪年间增添了具有特殊风格的伴奏乐器牛筋琴,开始为 5根弦,后增至12根弦；有的还配上三粒板、小抱月等乐器。温州鼓词以温州方言演唱，带有浓厚的南方民歌风味。它的曲调有原板、慢板、紧板、叠板等几十种板式。温州鼓词的唱词大都是七字句，兼有五字句，押普通话与温州话相近相通的辙韵，偶句末字押平声。语言通俗生动，有丰富的群众语汇和民间谚语。温州鼓词分"平词"、"大词"两大类。平词曲调优美，唱多于白，长于抒情，以牛筋琴为主要伴奏乐器。内容采自传统说部和民间故事，有《高机卖绡》等传统曲目。平词又分为南北两大派。南派曲调委婉细腻，内容多为悲欢离合的故事;北派曲调粗犷激越,内容多为《三国》、《水浒》故事。近年来，两种艺术流派都吸取了戏曲艺术的曲调声腔,丰富了曲调和板式,进行了艺术革新。大词也称"娘娘词"，为旧时敬神曲词，曲调平板，只击扁鼓伴唱，或伴以大锣大鼓。大词《陈十四娘娘》可以连唱几昼夜。旧时多由瞽者演唱。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条