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1)  Artistic Dyeing&Finishing
艺术染整
2)  dyeing and finishing technology
染整工艺
1.
With respect to the problem of fiber damage during the processing of pure wool gabardine on old dyeing and finishing equipment, a new dyeing and finishing technology was designed that simplifies wet finishing and accentuate dry finishing.
生产实践表明,配合新的染整工艺,在老机型上同样能生产出质量优良的全毛华达呢面料。
2.
By adopting diffirent dyeing and finishing technology for 25 tex (40Nm) single warp& weft mercerization of sheep s wool light-thin textile fabric and experiment of the usage ofdiffirent auxiliary, find out the reasonable dyeing and finishing technology in order to satisfythe purpose of fabric style.
通过对25tex(40N_?)单经单纬丝光羊毛轻薄织物采用不同染整工艺和不同助剂的对比试验,找出合理的染整工艺,满足面料风格的要求。
3)  dyeing and finishing process
染整工艺
1.
Exploration on dyeing and finishing process of superfine polyester knitted fleece;
涤纶超细纤维针织起绒产品染整工艺探讨
2.
Dyeing and Finishing Process of Tencel/Polyester Union Fabric;
Tencel/涤交织面料染整工艺
3.
After introducing the basic concepts of SOAP,its service-oriented architecture and its characteristics,the information integration framework of dyeing and finishing process employing SOAP based on Web service is presented.
SOAP/Web Service架构是新一代分布式应用系统的核心,在简单地介绍了SOAP的基本概念和面向服务的体系架构及其特点后,介绍了运用SOAP技术构建基于Web服务的染整工艺流程信息集成框架。
4)  dyeing and finishing
染整工艺
1.
This article discusses the characteristic of modified polyester/Lycra blended fabric,, investigates the factors effecting the product quality and points out the scope of main parameters in dyeing and finishing.
介绍了变性涤纶和莱卡的性能及面料的特色,叙述了他们混纺织物的染整工艺,探索了染整工艺中影响产品质量的因素,指出了染整工艺中主要参数的范围。
2.
The dyeing and finishing process conditions of modal/spandex knitgoods are given based on the characteristics and requirements on dyeing and finishing of modal/spandex yarn.
针对莫代尔/氨纶纱的特点及其对染整加工工艺的要求,给出了莫代尔/氨纶针织物染整工艺条件。
3.
This paper presents dyeing and finishing process of mercerized knitted fabric from natural colored cotton based on production practice.
通过工厂生产实践,给出了彩色棉丝光针织面料的染整工艺。
5)  dyeing and finishing processing
染整工艺
1.
In this paper,the design idea and system structure of the worsted wool fabric dyeing and finishing expert system are put on a base of study the relation between the quality and style of worsted wool fabric and dyeing and finishing processing.
毛织物品质和风格特点主要是由毛织物的后整理即染整工艺来实现的。
6)  batik art
蜡染艺术
1.
This paper gives an explanation that based on the respect for tradition, modern batik art should be enriched and transcended in the aspects of aesthetic standard, deep meaning of design and color performance, in order to show its unique artistic charm.
本文阐述了现代蜡染艺术要在尊重传统的基础上,从审美取向、图案内涵及色彩表达等诸多方面加以充实和超越,使蜡染艺术更好的表现出其独有的艺术魅力。
补充资料:李可染旧居艺术馆

徐州市“李可染旧居”于1985年10月1 日对外开放,后更名为李可染艺术馆。馆内“旧居”为一所四合院结构。南屋正墙上挂着可染的杰作巨幅《黄山人字瀑》,两旁是可染早年居室,西墙上悬挂着李可染书写的齐白石印语“痴思长绳系日”。室内家具陈设朴素淡雅,古色古香,亦如故旧。北屋和西屋为生平事迹陈列室,人们可以从大量的文字图片中纵观可染的艺术道路和创作思想,以及他爱国爱民的赤子之心。

“艺术陈列楼”,分为上下两层展厅,陈列有李可染生前捐赠的《漓江山水天下殊》、《黄山烟云》、《江南喜雨图》、《荷塘消夏图》、《五牛图》、《苦吟图》等四十余件传世之作。厅内还陈列有各种版本的李可染艺术专集、论著,大型画册,以及海内外专家研究评论李可染的专著。

徐州民居兼得南北风格影响。集中表现在一般房屋厚重、封闭,惟有客厅轻盈、开放上,李可染旧居也不例外。西屋主房和南北厢房都是厚重封闭、相对高大的北方建筑,在修复中加高了房檐,屋顶装饰了规格较高的透风脊,两侧山墙装饰了山花山云图案,突出了主房的地位。

在修复中,屋檐下增加了应有的两根柱子、石鼓和门槛,以表现出南方建筑风格的轻盈和开放;此外,在全部建筑的一面墙安装木棂花门窗,柱子的横梁上镂刻荷、菊、梅等图案,使得整个旧居风格南北兼容,浑然一体。

旧居在第一次修复时,安装的椽子是方形的,瓦当图案是龙和凤,这些都是官式风格的建筑构件,不符合民居的风格。因此,第二次修复,以上的建筑构件均被改为半圆的椽子和花卉鱼虫图案的瓦当,从而真正体现出徐州的民间特色。

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