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1)  the sinicization of Chinese Marxist theory of literary and art
马克思主义文论中国化
1.
This thesis is mainly to study the impact of Western Marxist theory of ideological critique on Chinese Marxist theory of literary and art back against the sinicization of Chinese Marxist theory of literary and art.
考察中西马克思主义文论的关系,既可以是平行研究,也可以是影响研究,本文属于后者,即在马克思主义文论中国化视阈下考察西马意识形态批评在中国当代文论中的影响及效应。
2)  theory about Marxism's localization in China
马克思主义中国化理论
3)  the localization of Marxist literary and artistic theory
中国化马克思主义文艺理论
1.
The May 4th Movement in 1919 is an epochal starting point of the localization of Marxist literary and artistic theory in China.
中国化马克思主义文艺理论的建构开始于1919年的"五四"运动。
4)  Sinicization of Marxist art and literary theory
马克思主义文艺理论中国化
1.
With the reestablishment of new Chinese literary value system,Sinicization of Marxist art and literary theory has been in its companion in this process and has become important as well as special component.
马克思主义文艺理论中国化,伴随中国新文学价值体系重建的过程并成为其中重要而特殊的内容。
2.
The writer of this thesis has made some observations on the process of Sinicization of Marxist art and literary theory,while this thesis is a combination of several ideological fragments of these observations.
关于马克思主义文艺理论中国化,本文作者对其过程曾做过一些思考,本文就是与此有关的几个思想断片的组合,涉及到的问题有:马克思主义文艺理论的普遍问题及其在中国的特殊问题是什么?两者的结合有什么特点,产生了怎样的结果?为什么说《在延安文艺座谈会上的讲话》是其标志和典范?《在延安文艺座谈会上的讲话》之后它又走过了怎样的路
5)  Marxist theory of literature and art in China
中国马克思主义文艺理论
6)  Marxist cultural theory
马克思主义文化理论
补充资料:马克思主义方法论
      见社会学方法论。
  

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