In Chinese classical dramas,there are many crying plots not only in romantic love stories but also in political and historical stories just as a part of the whole drama.

In stage performance,crying is one of the ways for characters to release their emotions.

After careful discrimination, the author concludes as follows: the word "cry" is a general term from the ancient times till now; "weep" is a kind of crying with tears, and often means crying with tears in a low voice or noiselessly; "wail" is crying loudly; "Yell" is to utter a lou.

The first part of paper is mainly about the early form of KuXi and the relation between early Chinese opera and cry.

Lin Dai-yu\'s cry is throughout not only her own life but also the whole master piece,occupying a very important position.

This paper, taking Wangmuchi temple in Mountain Tai as center, tries to explain what Wangmuchi is and then further explore the idiosyncrasy of Wangmuchi as a temple, which is sacredness.

Based on the field investigation of Xiyue Temple located in Western Henan Province,and a survey made about the legends of temple and the miraculous stories in the villages,this paper makes an analysis and exploration of the belief continuity shown in the various legends and miraculous stories,as well as the farmers′ choice of meaning world and their behavior standards influenced by such belief.