1) Weilu Poetry Talks
《围炉诗话》
1.
The Connections between Taochan Poetry Talks and Weilu Poetry Talks;
《逃禅诗话》与《围炉诗话》之关系
2) Notes on poets and poetry
诗话
1.
Notes on poets and poetry of the Qing Dynasty "Quan-song-shi-hua"in the Library of Tsinghua University has rarely been studied for its rarity.
清代是诗话繁荣的时期，珍藏于清华大学图书馆的《全宋诗话》因世所仅见而无人研究。
3) ShiHua
诗话
1.
On Life Criticism of Chinese ShiHua;
论中国诗话之生命化批评
2.
Correction of Errors and Skips on Brief Introductions of Gao Si-de Shihua and Others;
《高斯得诗话》等讹漏举正
3.
Opinion Leader"with Shihua;
略论诗话传诗中的“意见领袖”现象
4) poetry
[英]['pəʊətri] [美]['poətrɪ]
诗话
1.
The paper gave a full discussion on the academic origins,criticism characteristics and cultural thinking of the image by using a rich poetry literature documents,China is tantamount to literary theory and criticism of the image synthesizer criticized remarks of which Many poetry documents were disclosed for the first time and it benefits for the aesthetic Linguistics research.
文章以丰富翔实的诗话文献资料,从审美语言学的学术文化视点上,全面论述了意象批评的学术渊源、批评特征、批评方法及其文化思考,不啻是中国文学理论批评关于意象批评的集大成之论,其中许多诗话文献资料皆为首次披露,于审美语言学研究颇有补益。
2.
By studying the development of poetry and fu, the connection of the theory of poetry and fu, the thesis expounds the historical reason why fu adhered to poetry for a rather long period, and explains this critical form of fu.
通过对诗、赋创作之渊源流变的探讨,可以看出诗赋理论的结缘,进而弄清赋话长期粘附于诗话的历史原因和批评形式;在文学史的发展过程中,诗、赋创作的差异决定了诗、赋理论的分离,清代赋话的独立成书正是赋学"尊体"意识的结果。
5) poetics
[英][pəu'etiks] [美][po'ɛtɪks]
诗话
1.
The scanning of China ancient poetics on poetry s inner spirit has reflected the psychology and inclination ofparticular creation style of the Chinese nation, and has been a ripe and perfect mentality of poetry theory.
中国古代诗话对诗神的审视,充分体现出中华民族特有的创作心理与倾向,是一种成熟而完美的诗歌理论心态。
6) Poetry Talks
诗话
1.
They are four poems, two missing lines, twnty-one pieces of poetry talks, and twenty-two places in which there are variant versions in the poetry talks.
在作者及时贤已推出的有关谢棒的整理研究成果的基础上，又辑得《四溟山人全集》（重修赵府冰玉堂本）遗诗４首、遗诗句２则、遗诗话２１条，发现诗话异文较多者２２条。
2.
This dissertation searches data mainly from poetry talks through the ages and explores Bao Zhao poetry acceptance history from his later ages.
本文主要从历代诗话中搜寻资料,来探究鲍照诗歌在后代的接受史。
补充资料：《围炉诗话》
诗话著作。清代吴乔撰。吴乔，清初人。生卒年不详。本名殳，字修龄。太仓（今属江苏）人。此书主要通过对唐、宋、元、明历代诗歌的依次评论，提倡"比兴",反对宋人的浅直无味；强调"有意",痛责明七子的"唯崇声色"，至诋为"牛驴鸣"、"瞎盛唐诗"，言辞虽有过激，观点并无大错。他如"意喻之米，饭与酒所同出；文喻之炊而为饭,诗喻之酿而为酒","诗之中须有人在"云云，亦为有识之见。唯以"意"为"经史之学"、"兴"即暗指时事，自认于李商隐、温庭筠、韩偓等别有会心，如《四库全书总目》所说。似乎"李则字字为令狐而吟,韩则句句为朱温而发",未免穿凿附会。书中对皎然、严羽诗论明致不满,但也多有吸收。就其以儒家文学思想为主又能兼采别家之说，倡言以比兴之体发经史之意的基本倾向而论，实属清代诗歌理论的主流。丁福保辑《清诗话》中有吴乔《答万季埜诗问》一卷，实即本书内容。
吴乔另有《西崑发微》 3卷，是以时事附会李商隐的无题诗。吴乔于时人中推崇贺裳、冯班，称贺的《载酒园诗话》、冯的《钝吟杂录》与自己的《围炉诗话》为"谈诗三绝"，书中多引贺、冯之语，三家论诗宗旨略同。其后赵执信即宗三家之说。
此书现存主要有《借月山房汇抄》本和《适园丛书》本，两本系以不同抄本为底本校刊，文字、条数略有出入，内容无大差异，皆为6卷。《四库全书总目》题8卷，恐误。
吴乔另有《西崑发微》 3卷，是以时事附会李商隐的无题诗。吴乔于时人中推崇贺裳、冯班，称贺的《载酒园诗话》、冯的《钝吟杂录》与自己的《围炉诗话》为"谈诗三绝"，书中多引贺、冯之语，三家论诗宗旨略同。其后赵执信即宗三家之说。
此书现存主要有《借月山房汇抄》本和《适园丛书》本，两本系以不同抄本为底本校刊，文字、条数略有出入，内容无大差异，皆为6卷。《四库全书总目》题8卷，恐误。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条