1) object-correspondence of literary reception
文学接受的合对象性
1.
The object-correspondence of literary reception & the cultural differences of eras;
文学接受的合对象性与文化时差
2) received object
接受对象
1.
The received object is the unity of definite and indefinite, expressing conversation and communication in the “secondary text”.
接受对象具有确定性与不确定性的统一、接受对象的“第二文本”是对话与交流的体现;接受主体具有高度自由性、接受心境与参与创作冲动的统一、情感还原与异变的并存;接受过程是审美差异性与统一性的互补、个体性期待与集体性期待的同一、接受动机与接受延留效果的一致性。
3) target of the literature theories
文学理论的对象
6) literary acceptance
文学接受
1.
Henry s Ending" from the aspect of literary acceptance,thus strengthening the deep and accurate mastery of "O.
从文学接受的视角,对"欧。
2.
As against to the specific rules in literary acceptance , this paper further interprets the multiplicity and limitation of literary acceptance .
针对文学接受的特殊规律,进一步阐释了文学接受中阐释的多元性与有界的问题。
3.
As the master of the literary circle between the Ming and Qing dynasties, Qian Qian-yi is a special person of typical significance in the perspective of literary acceptance.
作为明清之际公认的文坛盟主 ,从文学接受的角度来看 ,钱谦益是一个特殊的、具有典型意义的人物。
补充资料：文学接受
是一种以文学本文为对策、以读者为主体、力求把握本文深层意蕴的积极能动的阅读和再创造活动，是读者在特定审美经验基础上对文学作品的各种价值、属性和信息的主动的选择、接纳、消化或扬弃。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条