1) criticism against Caoyu
曹禺批评
1.
Sima,and they are :the criticism against Caoyu,Caoyu.
本文谨就其曹禺批评,对《雷雨》“写作上的投机心理”、蘩漪形象刻画的缺乏民族性格依据以及曹禺对西方名剧的“窃取”等问题试与司马先生商榷。
2) CAO Yu
曹禺
1.
The Logical Construction of CAO Yu s Plays after 1949;
论曹禺后期戏剧的艺术构造逻辑
2.
Realism in Cao Yu s Early Drama;
曹禺早期剧作现实主义的独特性
3.
Is the first edition of Thurderstorm the edition that can t be revised in Cao Yu′s life?;
《雷雨》初版是曹禺“一生不改的版本”吗?
3) Chao Yu
曹禺
1.
Review on Chao Yu s A Story Of Wang Zhaojun;
曹禺《王昭君》研究综述
2.
The art of Chao Yu s creating“tragdy” which embodies in Leiyu sets his teagdy representative position in the history of Chinese drama as well as that of in the world.
曹禺在《雷雨》中所表现的高超的造“悲”艺术确立了《雷雨》在中国戏剧史乃至世界剧坛上无可争辩的悲剧代表作地位。
3.
By contrasting with the feminist theory and criticism, we will find that Chao Yu, the outstanding realistic playwright, has managed to portray a series of female images vividly.
如果采用女权主义批评视角,我们会发现,我国杰出的现实主义剧作家曹禺,身为男性,却成功地塑造出一系列鲜明生动的女性形象。
4) CaoYu
曹禺
1.
Death Consciousness in the Works of CaoYu;
论曹禺创作中的死亡意识
2.
On Detailed Artistic Techniques of CaoYu s Dramas;
象牙的雕刻——略论曹禺戏剧的细部艺术
3.
Seek the Existence of Truth——The elaboration of the culture value content in the Caoyu s earlier period dramas;
寻求真实的存在——论曹禺早期戏剧的文化价值内涵
补充资料：曹禺(1910-1996)
剧作家。原名万家宝，湖北潜江人。早年就读于天津南开中学。后入清华大学外文系。曾执教于复旦大学、国立戏剧专科学校。建国后任全国文联副主席、全国剧协主席、北京人民艺术剧院院长。主要剧作有《雷雨》、《日出》、《原野》、《北京人》等。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条