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1)  contradiction between speaking and meaning
文学言说
1.
However,not only does the contradiction between speaking and meaning reflect the fact that what to mean is hard to be transformed into language of communication,it at least consists of three forms rich meaning and poor language determinacy of language meaning hiding from conveying meaning language existing earlier than individual confining .
言说体验之境并显示其中蕴涵的人生意义,既是文学言说的追求所在,也是文学言说的困境所在。
2)  discourse motivation of literature
文学的言说动机
3)  cultural opinions
文化言说
4)  Classical Chinese novel
文言小说
1.
It is Wang Tao s classical Chinese novel that reflected the intellectual s such special psychology in the period culture transformation.
王韬的文言小说正是反映了文化转型时期知识分子的这种特殊心态,他在妇女观、婚姻爱情观、科举观等几个方面都体现出经过了西方文化洗礼的崭新的价值观念,但同时对传统文化仍然藕断丝连。
2.
In the early period of classical Chinese fiction, "collecting"and"compiling"which appear in classical Chinese novel are just equivalent to"inquiring folks which comes forth in collecting poetry", so"collecting"is also of great significance to the emergence of classical Chinese novel.
“采”对于“诗”具有发生的意义,文言小说早期之“缀”、“采”与“采诗”之“求诸野”在方式上是相通的,故“采”对于文言小说也具有发生的意义。
5)  novels written in classical Chinese
文言小说
1.
Talented fox-maiden stories in the novels written in classical Chinese in Qing Dynasty,which are characteristic of contemporary civilization.
“诗狐”故事是清代文言小说中大量出现的一类极具近代文明色彩的人狐恋故事,其角色、情节、主题等多个文学因素都具有十分独特的性质。
2.
The new light the academic circle casts on the Mandarin Duck and Butterfly School", a modern literary school, provides us a fresh academic background for the renewed evaluation of Ye Shengtao s novels written in classical Chinese.
学术界对“鸳鸯蝴蝶派”的重新认识 ,为我们重新评价叶圣陶文言小说提供了新的学术背景。
6)  classical Chinese novels
文言小说
1.
The narration of monsters, ghosts and supernatural beings is the main subject of ancient classical Chinese novels.
称灵道异、张皇鬼神是古代文言小说的主要题材内容,神仙考验型作品是其中的一个别具特色的叙事 范型。
2.
There is obvious difference between the classical Chinese novels and the vernacular novels, the main difference is that the former used to see from more neutral narrative angle and first personal narrative angle.
中国古代文言小说的叙事角度与白话小说有着明显的区别 ,这主要表现在前者更多地使用“中立型叙事视角”和“第一人称叙事视角”进行叙事。
补充资料:缅甸文学宫文学奖
      缅甸独立以来唯一的全国性文学奖。缅甸文学宫(亦称缅甸翻译协会)从1949年开始,举办文学作品评奖活动,每年评选出前一年出版的各类书籍的获奖者,给予一定的奖金。最初只评选长篇小说一种,后逐渐增加评奖项目。1962年改称为"艺术文学奖"。1964年又改名为"缅甸民族文学奖"。现设长篇小说、短篇小说、儿童文学等11项。为鼓励和培养青年作家的写作,1969年另设"文学宫稿件奖"。青年作家未出版的稿件均可申报参加评选。对得奖的稿件,除授予奖金外,并负责出版。
  

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