1) music staf f marking by ancient people
古人记谱
2) five-line staff notation of guqin
古琴五线记谱法
1.
The paper demonstrates the historical inevitability of five-line staff notation of guqin.
本文首先论证了古琴五线记谱法出现的历史必然性,然后通过对其记谱方式、特点的阐述,从符号学和文化属性两个方面分析了其优势和不足,对其进行价值上的初步评议。
4) Transcription
[英][træn'skrɪpʃn] [美][træn'skrɪpʃən]
记谱
1.
A Study about Transcription of Chargah Muqum Performanced by Turdi Ahong;
对吐尔地·阿洪演唱版《恰尔尕木卡姆》的记谱研究
5) notation
[英][nəʊ'teɪʃn] [美][no'teʃən]
记谱
1.
The paper summarized some features of Chaozhou zheng music with notation,modes,variation,banshi(tempo in Chinese folk music),temperament,and performance technique,as well as the representative player Xu Shoucheng and his individual characteristic.
文章从潮州筝曲的记谱、调式、变奏、板式、音律、演奏技法等方面对潮州筝曲的特征,以及潮州筝派代表人物之一的许守诚先生个性特点予以概述。
2.
The paper taken kuyin notation as a subject, pointed out there was an absolutization knowledge to the relationship between the modes and the notation, furthermore, it analyze some misunderstanding on kuyin modes, expressed the necessary to pay attention to the logic and the sensitive way to distinguish the modes and study the Gong-modes.
文章从苦音记谱问题切入 ,首先指出了调式与记谱关系上的一种绝对化的认识 ,然后重点剖析了苦音调式辨别的多数论、习惯论 ,揭示了这类观点、方法的盲目性的本质 ,表明了在调式辨别和宫调研究中增强理性自觉、注重逻辑规律的必要
补充资料：古人
泛指古代的人。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条