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1)  dominating women and weak men
女强男弱
1.
In China s ancient narrative love stories, it is very common that heroines are always more vividly and conspicuously presented than heroes, which we call this phenomenon "dominating women and weak men".
在中国古代爱情类叙事文学中 ,女主人公的形象常比男主人公的丰满、突出、动人 ,而且这是普遍的 ,我们称之为“女强男弱”现象。
2)  weak man and strong woman
男弱女强
3)  Man is stronger than woman.
男人比女人强壮。
4)  male is weak
男弱
1.
Generally speaking,in the works these heroine s images are positive and have the extraordinary spiritual strength,the glory personality,who can infect the readers,but man s images either is negative or pusillanimous,so the phenomenon that female is strong and male is weak emerges.
在这些作品中女主人公的形象一般来说是正面的,她们往往具有超绝的精神力量、光辉的人格,更能感染读者,而男子的形象要么是反面的,要么是正面而性格较懦弱的,于是出现了女强男弱的倒置景象。
5)  collar and cuff
柔弱的男子;女子气的男人
6)  male and female
男女
1.
On the Origination of the Pattern: From Male and Female to Emperors and Subjects;
试论男女—君臣模式之源流
2.
Zhuang’s traditional and economic activities fall into various scopes or periods——collection and fish-hunting economy, agricultural economy, industrial economy, business economy and so on, in which the roles of male and female are different.
壮族传统的经济活动可以分为采集与渔猎经济、农业经济、工业经济、商业经济等类型或阶段,其中的男女地位或性别结构各不相同,从而使壮族性别文化个性十足。
3.
This essay introduces the differences in language using between male and female from the aspects of pronunciation and intonation,vocabulary-selecting,and the habit of language using.
本文从语音语调、用词、用语习惯等方面介绍了男女因其性别在语言上的差异,并对产生这种差异的原因进行了分析。
补充资料:五男二女
1.《诗.召南.何彼襛矣序》孔颖达疏引晋皇甫谧云:"武王五男二女。"谓有子五人,有女二人。后用以表示子孙繁衍,有福气。宋时常绘印五男二女图于纸笺或礼品上以示祝福。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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