1) literary annotation in the Late-Ming Dynasty
晚明评点
2) the Art of Orating in the Later Period of Ming Dynasty
晚明评话
1.
The History of Sui Dynasty, the Art of Orating in the Later Period of Ming Dynasty and the Psychology of Ordinary People;
《隋史遗文》与晚明评话及民众心态
3) the late Ming Dynasty
晚明
1.
Pursuing the Ideal of Free Personality between Secular and Elegant——On the Mentality of Literati in the late Ming Dynasty;
在高雅与世俗之间对自由人格理想的追寻——晚明文人心态新论
2.
A Study on the Consistence of the Late Ming Dynasty、the Late Qing Dynasty and Wu Si s Poetry Theory Reforms;
晚明、晚清与“五四”诗论变革一致性之考察
4) Late Ming Dynasty
晚明
1.
Jiangnan:One of Characteristic Regional Cutulture in Chuanqi in Suzhou and Late Ming Dynasty;
剧中江南:晚明苏州传奇地域文化特色之一
2.
The Conversion of Chuanqi Content of Suzhou Theatrical Circles in Late Ming Dynasty and Its Causes;
晚明苏州剧坛传奇创作重心的下移及原因
5) Late Ming
晚明
1.
The Concept of the New Change on Late Ming School;
晚明文社复古观念的新变
2.
The research of social ethos transition in the late Ming Dynasty is concern with the general valuation of the history of Ming Dynasty.
晚明时期,“奢靡僭越”之风盛行,乘舆制度“崇节俭、辨等威”的制度精神遭到消解,而占有大量资源的权贵集团及其衍生群体是这一变化的根源和主体。
6) The Moon Is a Light of the Dark Night
《月亮是夜晚的一点明白》
1.
The Criticism of Zha Shun s Novel The Moon Is a Light of the Dark Night;
查舜小说《月亮是夜晚的一点明白》评析
补充资料：春晚过明氏闲居
【诗文】：
寥寥陋巷独扃门，自乐清虚不厌贫。数局棋中消永日，
一樽酒里送残春。雨催绿藓铺三径，风送飞花入四邻。
羡尔朗吟无外事，沧洲何必去垂纶。
【注释】：
【出处】：
全唐诗：卷747-39
寥寥陋巷独扃门，自乐清虚不厌贫。数局棋中消永日，
一樽酒里送残春。雨催绿藓铺三径，风送飞花入四邻。
羡尔朗吟无外事，沧洲何必去垂纶。
【注释】：
【出处】：
全唐诗：卷747-39
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条