2) the general mood of advocating sorcery
尚巫之风
1.
In the Tang Dynasty and the Song Dynasty, the folk custom activity such as 揵eating drums while burning mountain forest?in the Three Gorges area of the Changjiang River was one of the remnants of the general mood of advocating sorcery in ancient times.
唐宋时期峡江地区“击鼓焚山”的民俗活动是远古时代尚巫之风的残存,其目的是为烧龙祈雨以禳除旱灾;而“烧畬下种”则是自远古“刀耕火种”传承下来的一门农耕技术,但由于“占卜伺雨”的仪式亦使它带上了一些巫风色彩。
3) Mikanagi Kiyoshisa
御巫清尚
4) witchcraft
[英]['wɪtʃkrɑ:ft] [美]['wɪtʃ'kræft]
巫
1.
The close link between Jingchu witchcraft,Taoist and Taoism dates back to a unique natural and human environment of the area.
楚巫、道家、道教之间有着深厚的历史关联,荆楚独特的自然、人文环境是孕育三者的天然母体。
2.
Pang Pu first probed into the relation of the three words witchcraft,nonexistence and dance,which come from the same witchcraft culture,with one as subject,one as object,and another as means.
通过考察我们发现,原来庞朴先生早就谈到巫、無、舞三字来源于同一项巫风文化活动,其中“巫”作为主体、“無”作为对象、“舞”作为手段。
5) witch
[英][wɪtʃ] [美][wɪtʃ]
巫
1.
As witch was intellectual,religious,political power and other powers of assemblies,and in the music can be regarded as the predecessor of future generations Le officials.
巫在先周文化中占有重要的地位,其作为当时知识、宗教、政权等各种权力的集合体,表现在音乐方面应可视为后世乐官的前身。
2.
Witch is far from modern life,but we cannot neglect the study of witch in the religious teaching.
巫虽然远离现代生活,但是在宗教学的研究中却不能忽视对于巫的探讨。
3.
The process includes witch, sex or beauty in Aesthetics.
维纳斯的历程就是人体审美的历程 ,这一历程包涵着巫、性、美的不同程度的结合。
6) wizard
[英]['wɪzəd] [美]['wɪzɚd]
巫
1.
By analyzing the meanings of jade, wizard and god, the article explored the each influence of jade, wizard and god drove the development of the prehistoric society.
本文通过对玉、巫、神的内涵分析,探索玉、巫、神的互动以推动史前社会的发展。
2.
Wizard is the ruler of the original tribe culture and the fountainhead of the wizard wield activities.
巫是原始部落文化的执掌者 ,巫的祭祀活动是艺术的源头。
补充资料：感别元帅尚父（一作病中上钱尚父）
【诗文】：
玉函瑶检下台司，记得当时捧领时。半壁龙蛇蟠造化，
满筐山岳动神祇。疲牛舐犊心犹切，阴鹤鸣雏力已衰。
稚子不才身抱疾，日窥贞迹泪双垂。
【注释】：
【出处】：
全唐诗：卷660-12
玉函瑶检下台司，记得当时捧领时。半壁龙蛇蟠造化，
满筐山岳动神祇。疲牛舐犊心犹切，阴鹤鸣雏力已衰。
稚子不才身抱疾，日窥贞迹泪双垂。
【注释】：
【出处】：
全唐诗：卷660-12
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条