1) Linguistic parody
语言戏拟
2) language games
语言游戏
1.
On the Language Games and the Narrative Techniques in Lolita;
论小说《洛丽塔》的语言游戏和叙事技巧
2.
The same words have different meanings in different contexts;"the language game" proposes that different language games have different rules.
"语言游戏"观表明:不同的语言游戏有不同的语言规则,语言游戏依照一定的语言规则进行,而规则的产生和完善必须在游戏中才能得到实现,这就是所谓的语言规则悖论;有些语言规则因为"过时"遭到淘汰,而有些规则则会成为生活形式的一部分。
3) language game
语言游戏
1.
From the Theory of Logical Image to the Theory of Language Game——A discussion on Wittgenstein s philosophy;
从逻辑图像论到语言游戏说——维特根斯坦语言哲学思想探讨
2.
Wittgenstein s attitude towards essentialism and the philosophy thinking initiated by it are announced from three aspects: the defect of traditional essentialism,Wittgenstein s meaning as use and the language game theory.
从传统本质主义的缺陷、维特根斯坦的意义即用法、语言游戏论三个方面,来揭示维特根斯坦对本质主义的态度及其所引发的哲学思考。
3.
In"Bamboo Forest",the post-modernist characteristics mainly contains de-central- ize,characterization of erisis and language game,the uncertainty of plot and the uncertainty of image.
《竹林中》的后现代主义显征主要表现为:去中心化、表征危机或语言游戏、情节的不确定性、形象的不确定性。
4) language-games
语言游戏
1.
This paper discusses language-games,philosophy of ordinary language,and the linguistics.
其核心思想就是“语言游戏”。
2.
Through the discussion about “Language-games” a.
维特根斯坦正是通过“语言游戏”说与“生活形式”论 ,抹平了可说的东西与不可说的东西的界限 ,“神秘之域”也因融入到日常生活之中而得以消
3.
In their commentary on Wittgenstein\'s Philosophical Investigations,Baker and Hacker makes a distinction between invented and natural language-games.
贝克与哈克在对维特根斯坦《哲学研究》的评注中把语言游戏区分为创建的与自然的两种类型。
5) dramatic language
戏剧语言
1.
This article will analyze the language of the figures from the rhetoric angle of view,and will expound that Chinese figure of speech has make great effect on dramatic language.
该剧颠覆了经典武侠剧的传统套路,出彩的戏剧语言是其最大的亮点。
2.
This essay aims at finding out,from a new angle,its dramatic features through the following aspects:narrative art,plot structure,dramatic language and stage techniques.
从这部小说的叙事艺术、情节结构、戏剧语言以及和舞台技巧的契合等方面来对这部小说的戏剧特点进行阐释。
3.
This paper will discuss how David Mamet employs dramatic language in his famous drama House of Games, and concludes that modern dramatic dialogue is more and more oralized and naturalized.
本文借助文体学的相关理论 ,在宏观上从两个方面分析当代美国剧作家大卫·迈梅特的戏剧《游戏之屋》的戏剧语言运用技巧与风格 ,揭示当代戏剧语言日趋口语化、生活化的特点。
6) language-game
语言游戏
1.
on"Sprachspiel"(language-game),"Familien(?) hnlichkeiten"(family resemblances)and open concept;4.
维特根斯坦的美学思想包括五个方面:论"美学"与其概念的使用;论"生活形式"及其文化语境;论"语言游戏"、"家族相似"及开放的概念;论"看见"与"看似"的视觉之分;"日常生活美学"的内在取向等。
2.
Attributing philosophy to linguistic analysis or criticism,Wittgenstein constructs the philosophy of artificial language and then of natural language,the basic methods of which are known as the theory of meaning- picture and language-game.
“意义图式说”和“语言游戏论”就是这两种语言哲学的基本方法。
3.
all of the slient objeet are lair in the circle of language-game again.
维特根斯坦早期的思想将宗教、伦理以及美学都归结为沉默的对象;而后期向语言的转向,将这些沉默的内容又一次置于语言游戏的包围之中。
补充资料:读唐人乐府戏拟思妇怨
【诗文】:
一自门前征马嘶,此心常与断云西。
双飞空羡雉朝雊,独泣忍闻乌夜啼!辽海昼昏麈漠漠,杜陵春到草萋萋。
孤愁可为邻姬说,只有临樽醉似泥。
【注释】:
【出处】:
一自门前征马嘶,此心常与断云西。
双飞空羡雉朝雊,独泣忍闻乌夜啼!辽海昼昏麈漠漠,杜陵春到草萋萋。
孤愁可为邻姬说,只有临樽醉似泥。
【注释】:
【出处】:
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条