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1)  Chivalry [英]['ʃɪvəlri]  [美]['ʃɪvḷrɪ]
武侠
1.
Visual Feast of the Orient Chivalry:The Chivalry World under Post-modernity View;
东方武侠的视听盛宴——试论后现代视阈下的江湖世界
2.
Adopted the historical analysis, this paper analyzes the soci-cultural foundation and historical basis in which the chivalry culture was generated in the period called as "cold weapon".
分析了武侠文化在冷兵器时代生存的社会文化基础和历史基础,虽然重文轻武之俗由来已久,但任侠之风仍延绵不绝,其根本原因是其文化底蕴与我们民族的文化心理结构有着深度的切合,体现了深厚的民族文化内涵。
2)  knight-errant [英]['nait'erənt]  [美]['naɪt'ɛrənt]
武侠
1.
Both of JinYong and GuLong are the great writers of knight-errant novel their works express the abandance of humanity, and have the great art magic power, and enter the elegant state.
金庸和古龙都是武侠小说的大家,他们的作品都展现了人性的丰富性,有极高的艺术魅力,进入了高雅的境界,但在人性欲望的阐释、历史背景的选择、语言风格的表现上又有明显的不同。
3)  Martial arts fiction
武侠小说
1.
The tragedies of human life in Jin Yong s martial arts fictions are described by cause in two ways: the tragedy of human nature and the tragedy of sociality.
金庸武侠小说中的人生悲剧是在人性与社会性的两个层面上展开的,因为成因的不同可以分为人性悲剧与社会悲剧两类。
2.
There is nothing quite like martial arts fiction in the Western literarytradition.
武侠小说是中国文学史上不可或缺的一朵奇葩,是中国文化中独特而璀璨的一页篇章。
3.
The martial arts fictions by Jin Yong, ranked among the top best-sellers of the 20~(th) century Chinese literature, have not only won a huge readership, but also aroused a lot of interest in their research in scholastic circles.
金庸武侠小说是20世纪中国文学史上无可比肩的畅销书,其在征服了无数读者的同时也掀起学术界对其进行研究的热潮。
4)  Swordsman fiction
武侠小说
1.
The thesis discusses the artistic aesthetic value of the Chinese swordsman fiction initially in five aspects.
中国武侠小说的艺术审美价值主要表现在精彩的故事、严谨的结构、鲜活的人物、武功描写和精妙的语言五个方面。
2.
JING Yong s swordsman fictions have greatly improved the ideological,cultural and artistic levels of novels of this kind and make swordsman fictions step into the palace of literature for the first time which may be called a silent literary revolution.
金庸的武侠小说大大提高了武侠小说作品的思想、文化、艺术品位 ,使近代武侠小说第一次进入文学的宫殿 ,可以说是一场静悄悄的文学革命。
3.
In 20~(th) century for"anti-swordsman",from Pingjiangbuxiaosheng,Baiyu,Gulong to JIN Yong,the continuous seeking and introspection into the humanity of swordsman fiction make up important inner motive force for its development.
从平江不肖生、白羽到古龙、金庸的百年"反武侠"历程,作为对武侠小说人文内涵的持续追问与反思,构成了武侠小说发展重要的内在动力。
5)  martial arts film
武侠电影
1.
The Myth of "Dance of Martial Arts": Chinese Martial Arts Film and It's Cultural Spirit;
武舞神话:中国武侠电影及其文化精神
2.
King Hu is the master of Chinese films,and his brilliant understanding of Chinese traditional art allowed him to greatly enhance the modern martial arts films.
"电影作者"胡金铨对武侠电影进行了全方位超越,将中国传统文化和现代电影艺术有机结合,使武侠电影作为成熟的类型电影得到西方学界认可,由此奠定了中国武侠电影的国际地位。
3.
Chinese martial arts film is a "Military Museum" which exhibits all kinds of ancient Chinese martial arts weapons.
中国武侠电影是一座展现中国古代各类兵器的"军事博物馆"。
6)  swordsman fictions
武侠小说
补充资料:武侠
1.旧指有武艺﹑讲义气﹑专打抱不平的人。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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