1.
Some Thoughts on the Evolution of the New-Version Knight-Errant Films in the 21st Century and the Tendency of Such Movies;
新武侠电影的发展与新世纪武侠电影的思考
2.
The Misunderstanding on Emei Wushu in Novels and Movies;
浅淡武侠小说和武侠电影对峨眉山武术的误读
3.
The Myth of "Dance of Martial Arts": Chinese Martial Arts Film and It's Cultural Spirit;
武舞神话：中国武侠电影及其文化精神
4.
On Chinese Swordsman Movies from the View of Traditional Wushu Culture
传统武术文化视野下的中国武侠电影
5.
The Impact of Digital Technology on Chinese Martial Arts Film;
试论数字技术对中国武侠电影的影响
6.
Origin and Characteristics of Violence Aesthetics in Contemporary Chivalry Movies;
当代武侠电影暴力美学的渊源与特征
7.
The Inditing Tread of Chinese Swordplay Movies in the New Century
新世纪中国武侠电影的创作走向研究
8.
Talking on the Image Features of Contemporary Swordsman Movies from the Movies Directed by Zhang Yi-mou
从张艺谋电影看当代武侠电影的影像特征
9.
After the movie Ashes of Time, later such new-version knight-errant films gradually declined.
《东邪西毒》之后，新武侠电影开始走下坡路。
10.
Visual Aesthetic Orientation in Martial Arts Film;
论新世纪武侠电影视觉中心的美学取向
11.
Sword: the Thematic Prop of Chinese Martial Arts Film and its Cultural Values;
剑:中国武侠电影的“主题道具”及其文化价值观
12.
The development of the swordsman film s recreation tendency since 1970;
20世纪70年代以来中国武侠电影的娱乐性倾向
13.
The Longmen Inn" to "The New Longmen Inn" -The artistic transformation of swordsman movies since 1970s;
20世纪70年代以来武侠电影的艺术流变
14.
National Spirit in the image and wonder--On the creative angle of view and cultural characteristics in Chinese action film;
影像奇观中的民族精神——试论中国武侠电影的创作视角及文化特色
15.
The Emotions in the Lute Music--the Use of Lute in Chinese Gongfu films;
四弦千遍语 一曲万重情——谈琵琶曲在中国新武侠电影音乐中的应用
16.
On the Implication and style of XU Ke's Martial Movie "New Dragon Inn"
从《新龙门客栈》看徐克武侠电影的民族传统文化意蕴
17.
In the 21st century, there appeared some knight-errant films which attempted to reverse the declining tendency.
新世纪出现了几部试图挽回武侠电影颓势的影片，这些影片有其共同特点。
18.
On the Martial Arts Film in the First Wave of Commercial Films
简论第一次商业电影浪潮中的武侠片