1) Poetic Talent
诗才
1.
The Confluence of Childlike Innocence and Poetic Talent——Andersen and His Fairy Tale World;
童心与诗才的相交汇流——安徒生和他的童话世界
2.
It needs poetic talent to write poetry and poetic talent is the motivity of poets creation.
写诗要有诗才 ,诗才是诗人进行创作的原动
2) based on talents
人才为本
1.
Thus, building motivation mechanism based on talents is essential to improving the competitive force of enterprises.
因此 ,建立以人才为本的激励机制 ,是增强企业竞争力的重要途径。
4) Regarding Poetry as Ci
以诗为词
1.
On the Meaning of "Regarding Poetry as Ci" by Su Shi;
苏轼“以诗为词”涵义综论
2.
The regarding poetry as ci is not only the change of artistic technique,but also the change ideas of ci.
“以诗为词”不仅是创作方法的更新,而且是词学观念和词学意识的改变。
5) A Defence of Poetry
《为诗辩护》
1.
A Brief Discussion of Percy Bysshe Shelley’s A Defence of Poetry;
浅谈雪莱的《为诗辩护》
2.
Aesthetic Viewpoints in GUO Mo-ruo s Earlier Periodand Shelley s A Defence of Poetry;
郭沫若早期美学观与雪莱《为诗辩护》
6) Composing Ci as Poetry
以诗为词
1.
This paper puts two persons in the historical turning point from Huajian Ci to Composing Ci as Poetry to reveal the variations and development of subtle and concise Ci creation under this influence.
因此通过将两人放在由"花间词风"向"以诗为词"转变的词史转折中来进行比较,可以揭示出受此影响的婉约词创作的发展变化。
2.
So, "composing Ci as Poetry" not only is a composing technigue, but also a cultural phenomenon.
本论文试图将“以诗为词”这样一个历来属于词学范畴的命题，置放于诗文化心理的背景之下，借助新的审视角度，对这个命题作一次较为深入的探讨和阐述。
补充资料：诗才
1.做诗的才情。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条