1) pentatonic mode Harmony
五声性调式和声
1.
Different from the Classical harmony with the focus of Third structure, there are many different kinds of chord structures in Pentatonic Mode Harmony.
和弦结构触及和声学的根本,与传统和声以三度结构为中心的结构方式不同,五声性调式和声中有多种不同的和弦结构方式,运用不同的结构方式构成的和弦自然会有不同的和声效果。
3) Mode and tonality
调式调性
1.
The article is based on his vocals , analysing and researching their harmonic technique and style from the aspects of the chord structure ,the harmonic progression ,the mode and tonality etc.
本文以他的声乐作品为研究对象,从和弦结构、和声进行、调式调性等侧面来分析、研究其和声技法与风格特点。
5) pentatonic scale
五声音阶
1.
On the Expression of Chinese Pentatonic scale
论我国五声音阶的表现性
2.
Sanfen sunyi method was firstly used in ancient China to calculate relative pitch,tone relations and scale structures of pentatonic scale,diatonic scale and twelve frequencies.
中国古代首先用"三分损益法"计算五声音阶、七声音阶和十二律的相对音高、音程关系及音阶结构。
6) pentatonic
[英][ˌpentə'tɔnik] [美][ˌpɛntə'tɑnɪk]
五声化
补充资料:五佛生五菩萨五金刚五忿怒
【五佛生五菩萨五金刚五忿怒】
(杂语)五佛各出现菩萨,金刚,忿怒。此三者如其次第为法身,般若,解脱之三德,又为境智行之三轨。
(杂语)五佛各出现菩萨,金刚,忿怒。此三者如其次第为法身,般若,解脱之三德,又为境智行之三轨。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条