1) form and spirit
形与神
1.
Unity of form and spirit is the aesthetic ideal of Chinese drawing.
绘画作品中,形与神何者为重?这是历代画论十分关注的问题。
2) shape and spirit
形神
1.
From three aspects, this paper compared the different between Chinese-Western painting art, including the relationship of shape and spirit, space behaving and art means, then, also discussed primarily Chinese-Western culture and philos.
本文对中西传统绘画艺术从形神关系、空间表现、艺术手段三方面进行了实践上的比较和理论上的梳理,并对影响艺术实践的中西文化及哲学思想作了初步探讨。
2.
Content: From the relations between Transcendence and four circumstances, langue and thoughts, object and mind, shape and spirit, conceiving of image, this thesis discovered the development of Transcendence , defined its meanings, displayed the relation between Transcendence and interrelated items, identified the place of Transcendence.
本文从“象外与言意”、“象外与心物”、“象外与形神”、“象外与诗境”四个方面揭示“象外”的发展历程、把握“象外”的意义、显现“象外”与相关范畴的关系、确立“象外”的地位。
3) Form and Spirit
形神
1.
Su Shi s Concept of "Form and Spirit" in Painting and the Relationship with Buddhism;
苏轼绘画"形神"观及其与佛教的关系
2.
The employment of transfarmation contributes much to the vividness of the literary image in both form and spirit and adds to its aesthetic value.
变形是文学创作中的普遍规律,是创作构思中主体因素渗入的一种体现,通过变形可以使艺术形象形神兼备,具有较高的审美价值和意义。
3.
By the study of hiterature and logic,this paper makes on inuestigation into the ancient study of regrine in Chinese Wushu and the form and spirit in moder Wushu nespectively furthermore,it discusses their relationship and procdures in realizing the combination of the form and spirit.
采用文献资料和哲学研究的方法，分别对中华武术中的形与神进行研究，对二者的关系及影响形神兼备的实现程序等问题进行论
4) divine images
神形
1.
By systematizing historical documents, paleography and archaeological materials in the open country, the author of this paper, based upon the researches of predecessors, carefully studies the main divine images in the Shang and Zhou Dynasties and arrives at the conclusion that human images, animalimages and invisible images are the original ones of the ban divine images in the two dynasties.
文章通过对古文字、古文献及考古材料的爬梳整理，在继承前人研究成果的基础之上，断代、细致地考察了商周时期人们心目中主要神灵的形象，归纳出商周神形演变的三个起点，一为人形，一为动物形。
5) Body and spirit
形神
1.
‘Body and spirit’ is a pair of category that indicates the relationship between body and spirit.
"形神"是标志人的形体与精神关系的一对范畴。
6) Myths and Poems
《神话与诗》
1.
Wen Yiduo s research method in terms of Myths and Poems;
从《神话与诗》看闻一多的研究方法
补充资料：形赠神
【诗文】：
天地长不没，山川无改时。
草木得常理，霜露荣悴之。
谓人最灵智，独复不如兹。
适见在世中，奄去靡归期。
奚觉无一人，亲识岂相思！
但馀平生物，举目情凄[氵而]。
我无腾化木，必尔不复疑。
愿君取吾言，得酒莫苟辞。
【注释】：
形影神三首序:贵贱贤愚，莫不营营以惜生，斯甚惑焉；故极陈形影之苦言，神辨自然以释之。好事君子，共取其心焉。
【出处】：
天地长不没，山川无改时。
草木得常理，霜露荣悴之。
谓人最灵智，独复不如兹。
适见在世中，奄去靡归期。
奚觉无一人，亲识岂相思！
但馀平生物，举目情凄[氵而]。
我无腾化木，必尔不复疑。
愿君取吾言，得酒莫苟辞。
【注释】：
形影神三首序:贵贱贤愚，莫不营营以惜生，斯甚惑焉；故极陈形影之苦言，神辨自然以释之。好事君子，共取其心焉。
【出处】：
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条