1) the New New Novels
新新小说
2) love story
言情小说
1.
From the perspective of history and aesthetics,Yuanyanghudie School played an important role in the transition from Chinese traditional novels about bel esprit et belle to modern love story.
从历史和美学的角度研究 ,鸳鸯蝴蝶派对传统的才子佳人小说向现代言情小说的嬗变起了重要作用。
2.
Since May 4~(?)new culture movement,the female social position and their education degree is improving coutinually,the female are paid more attention to and their reading ability is also enhanced continually,the gravity canter of love story is turning from male to the female.
言情小说,作为通俗文学的一种,是为了满足读者期待视野的一种存在。
3) Love novel
言情小说
1.
The influence that the modern love novels on the early love movies mainly reflects on two aspects: the first is the adapt of the popular literature of the ancient times and the modern times,the former such as the "Historical Movie",the latter such as "The Spirit of Yu and Li";The second is the authors that writing popular novels taking part in,such as Bao tian-xiao、Qin shou-ou、Zhoushou-juan etc.
早期爱情片受现代言情小说的影响主要体现在两个方面,一是对古代和现代通俗文学的改编,前者如稗史片,后者如《玉梨魂》;二是通俗小说作家的加入,如包天笑、周瘦鹃、秦瘦鸥等人。
2.
Love novels of early Nationalist period inclined to be solely about love and sentimental.
通俗言情小说在清末民初迅速兴起 ,既与文学传统有关 ,又受社会文化构成因素与发展状况制约。
4) Language of Novel
小说语言
1.
Dialect enriches the language of novels.
地域文化精神直接影响到小说叙述焦点的定位与运动、小说话语与叙事视角的选择、言语风格的确定以及语言结构的形成;方言土语不仅丰富了小说的语言资源,而且为小说语言增色许多;作为地理风貌的自然风光进入小说,必然影响着描写这些风光的语言风格的选择;民间语言体现一种民间立场的叙事,与官方文化拉开一定距离,并显示出民间幽默的智慧与解构的才能;有作为的作家不仅善于到地域文化中去淘金,而且能跳出其拘囿,去经受各种异地文化的洗礼。
5) romantic novels
言情小说
1.
Qinhaishi is no doubt an outstanding work among the romantic novels of the Late Qing dynasty.
实际上,同为晚清社会言情小说,符霖的《禽海石》无论在主题意蕴的丰富性、思想倾向的进步性方面,还是在小说叙事艺术的试验与探索方面,其成就均在吴趼人的《恨海》之上。
2.
The mass culture criticism, which carries on the school of Frankfurt, regards readers of romantic novels as unqualified them.
秉承法兰克福学派的大众文化批评把言情小说的读者视为不合格的“她们(them)”。
3.
His romantic novels are well known at that time and he is reputed as“master of bitter romance”.
周瘦鹃是民初“鸳鸯蝴蝶――《礼拜六》派”的代表作家,他的言情小说在当时堪称一绝,使他享有“哀情大师”的声誉。
6) novel language
小说语言
1.
The beauty of individual character in Qiao Dianyun′s novel language;
乔典运小说语言的个性美
2.
Among all the skills,the followings constitute a special attractive style in Xiao hong s novel,which are a demonstration of Xiao hong s discovery and development in her novel language as well,such as,complicated narration "against with concision","contrary narration" of implication instead o.
从《生死场》到《呼兰河传》,萧红的小说语言经历了从“本色”到以多种技巧强化艺术表现力的转变。
3.
WANG Zeng-qi s novel language is of profound harmongy.
汪曾祺的小说语言具有一种深刻的和谐。
补充资料：朝鲜新小说
又称启蒙小说，1900至1910年间受朝鲜近代教育、出版、国语等爱国文化启蒙运动的影响而出现的一种新的小说形式，代表作品有李仁稙的《雉岳山》、《鬼之声》、《银世界》，李海朝的《自由钟》、《牡丹屏》、《鬓上雪》,具然学的《雪中梅》,金教济的《显微镜》，安国善的《禽兽会议录》等。这些作品多取材于封建家庭内部的矛盾，对封建制度的黑暗和封建礼教的毒害有所揭露和批判。基本倾向是反封建、反侵略，主张文明开化和自主独立，在当时的历史条件下起了一定的积极作用。新小说在形式上虽然尚未完全摆脱古代小说的影响，但已接近于现代小说，是古代小说和现代小说之间一种过渡形式。1910年日本吞并朝鲜后，新小说的创作趋于沉寂，作者中也发生了分化。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条