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1)  Chu Songs
楚歌
1.
The Witness of the Early Han Royal Conflicts:The Chu Songs of Liu Bang and His Heirs;
汉初宫廷斗争的见证:刘邦及其子孙的楚歌
2.
The decline of four-word-poems with the decline of single-sound words of the pre-Qin time was because the form restricted the power of expression,the Chu songs once popular in the beginning of the Han Dynasty followed the similar fate.
四言诗在先秦单音词时代结束后风光不再 ,是因为形式限制了表现力的发挥 ,汉初一度流行的楚歌在这一点上亦与其相似。
2)  Chu Song
楚歌
1.
When we find Xi (兮)in Chinese poem just as qu Yuan s works ,it doesn t mean the Chinese poem is Chu song , because this kind of Chinese poem prevailed everywhere in Chunqiu Zhanguo period .
楚歌不都是以“兮”字为标志的屈骚式作品 ,结构短小、体近屈骚的作品也不为楚国独有。
3)  folk song
民歌
1.
The Lyric Dimension of Jianghan Plain folk song : Little Son-in-Law;
江汉平原民歌《小女婿》的抒情维度
2.
On Cao Cao s creative contribution to elegant folk songs of Han Yuefu;
论曹操对汉乐府民歌文人化的开创性贡献
3.
Are Folk Songs Doomed to Extinction?;
民歌的灭绝已成定局吗?
4)  folk songs
民歌
1.
Folk Songs——A Cradle for Modern Vernacular New Poems;
民歌——现代白话新诗的一个生长点
2.
Comparison of mysterious funeral ceremony in folk songs between southeast Chongqing and northwest Hubei province;
渝东南与鄂西北民歌中的神秘葬俗对比
3.
Frank and implicit——The art manifestation form of folk songs"Xin Tian You"in north Shanxi province;
率直:直抒胸臆 含蓄:意蕴无穷——陕北民歌“信天游”艺术表现浅析
5)  folksongs
民歌
1.
The study of the changes in the contents and styles of the folksongs of Bulang People indicates that folksongs are heritable and developing in the course of history.
从施甸布朗族民歌艺术特点的分析出发,对其内容及形式上的流变进行研究,说明少数民族民歌在历史过程中在不断地进行自然的传承与发展。
2.
Original ecological folksongs are the crystallization of wisdom of our nations and the vivid picture of people s lives in different periods,so original ecological folksongs have aroused great concern from many people and deserve us protection.
我国的原生态民歌艺术是各族人民智慧的结晶,是各个历史时期人民生活的生动写照。
3.
The folksongs in Lǜhua Tree have the function of psychological narrative.
小说《绿化树》中的民歌具有心理叙事的功能,这种方式具有特殊性:既具有"独白"的形式,又超越了"独白"的功能;既是人物(歌者)的话语,又可视为游离于话语之外的歌词。
6)  Bachu area
巴楚地区
1.
Reservoir geological models of reef complexes in the Middle Ordovician Yijianfang Formation in the Bachu area, Tarim basin, and its implications for hydrocarbon exploration in the Tazhong area, Xinjiang, China.;
塔里木盆地巴楚地区中奥陶统一间房组露头礁滩复合体储层地质建模及其对塔中地区油气勘探的启示
2.
Study on hydrogeologic conditions of Pliocene in Bachu area,northwest margin of Tailm basin,Xinjiang;
新疆塔里木盆地巴楚地区上新统地下水动力条件分析
3.
The characteristics of intrusive rocks and their influence on carbonate reservoir development in the Bachu area,Tarim basin;
巴楚地区碳酸盐岩中深成侵入岩特征及其对储层发育的影响
补充资料:楚歌
楚歌

    中国古代楚地的土风歌谣。带有鲜明的楚文化色彩,秦末汉初最为盛行。形式上有别于《诗经》的四言体,而多在隔句末尾缀以“思”或“兮”字,很有规律,在形式上显示出一定特色。后为屈原所吸收,发展成为参差错落的骚体诗。先秦时期的楚歌,散见于《诗经》的“周南”、“召南”及部分古籍中。至秦汉时期,楚声短歌进入宫廷,登上庙堂,颇受封建帝王的喜爱。如项羽有《垓下歌》、汉高祖刘邦有《为戚夫人歌》、《大风歌》,汉武帝刘彻有《秋风辞》、《瓠子歌》等。其中以刘邦的《大风歌》最出名,文帝、景帝年代曾奉作宗庙颂歌。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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