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1)  Yiluo
绮罗
1.
A Textual Research of the Origin of Yiluo in Tengchong;
腾冲“绮罗”应源于浪穹诏主矣罗君之名
2)  characterization [英][ˌkærəktəraɪ'zeɪʃn]  [美]['kærəktəraɪ'zeʃən]
人物刻画
1.
Eternal Moment——Characterization of literature illustrations in ancient China;
永恒瞬间·凝之美——浅谈中国古代文学插图的人物刻画
2.
The thesis analyzes the two most famous American playwrights Eugene O Neill and Tennessee Williams with their masterpieces Long Day s Journey into Night and The Glass Menagerie respectively from two main aspects:dramatic theme and characterization.
文章主要从家庭自传体戏剧主题与人物刻画两个方面探讨了尤金。
3.
As far as structure、 characterization and writing techni.
这两部经典喜剧在戏剧结构、人物刻画、创作手法方面各领千秋,共同演绎着爱情礼赞。
3)  character portrayal
人物刻画
1.
In four wonderful novels including Romance of the Three Kingdoms, Outlaws of the Marsh, Pilgrimage to the West and Plum in the Golden Vase, plus Dream of Red Mansions, the writers used creatively a lot of ironic ways, especially in character portrayal, and made excellent con.
特别是在人物刻画方面,反讽特色表现更为突出。
4)  character animation
人物动画
5)  character gallery
人物画廊
1.
This paper has made an analysis to the images of the immortals and marvellous men in the character gallery of the Pre-qin and two Han Dynasties fictions,studied the influence of Taoist immortal and religion thinking upon the creation the fictions in that period and found out Taoist life consciousness embodied in these im.
文章对先秦两汉小说人物画廊中的神人异士形象的分析,探究道教神仙方术思想对这一时期小说创作的影响,从中挖掘这些神人异士形象所蕴含的道教的生命意识,说明道教方术文化发展的平民化趋向。
6)  characterization [英][ˌkærəktəraɪ'zeɪʃn]  [美]['kærəktəraɪ'zeʃən]
刻画人物
1.
The author remarked some multi points of view in the characterization of《Lei Yu》 ,including the soul,the fate,the nature and the symbol,among them the soul and the fate are the important points to discuss in this essay.
《雷雨》在刻画人物方面存在多重视角———矛盾视角、文化视角、个性视角、性别视角、朦胧视角、生命视角等,从人物的语言、行为、心理、情绪等方面来加以论证和分析,力争较全面而深刻地揭示曹禺在刻画人物方面的成功之所在。
补充资料:绮罗
1.泛指华贵的丝织品或丝绸衣服。 2.指穿着绮罗的人。多为贵妇﹑美女之代称。 3.形容诗风华丽柔靡。 4.指华美的帷帐。 5.指繁华的生活。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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