1) neutral tones in trisyllabic sequence
三字组轻声
1.
The phonological analysis shows that the same markedness constraint holds true both in tone sandhi and neutral tones in trisyllabic sequence,which supports the hypothesis that tone sandhi and neutral tones are corr.
结果表明标记性制约条件“低调”既适用于连读变调又适用于三字组轻声音高的音系分析,因此两者之间有密切相关。
2) the three-word phrases in falling-rising tone
上声三字组
1.
Traditional phonetics predominately believes that the laws to modify tone of the three-word phrases in falling-rising tone are not complex but simple ones.
传统语音学大多认为 ,上声三字组变调规律单一 ,并不复杂。
3) neutral tone front word sandhi
轻声前字的变调
4) How to Read the Neutral Tone
如何读准轻声字
5) trisyllabic sequence
三字组
1.
Within the OT framework,the paper analyzes the tone sandhi of trisyllabic sequences in Tianjin dialect,claiming that the parallelist OT can provide a satisfactory solution to the paradoxical problem of Tianjin tone san.
在优选论的框架内,本文对天津话三字组连读变调进行了分析,指出优选论的并行处理模式完全可以解释天津话的连读变调问题。
2.
The tone sandhi in trisyllabic sequences in Tianjin(天津)dialect,called the paradox of Tianjin(天津)tone sandhi,has received great attention The tone sandhi in trisyllabic sequences in Tianjin(天津)dialect is analyzed within classic OT,which also shows that OT can provide a satisfactory solution to the metrically conditioned tone sandhi.
天津话三字组的连读变调被称为"天津话连读变调之谜",受到较大关注。
6) trigram
[英]['traigræm] [美]['traɪ,græm]
三字母组
补充资料：阿弥陀三字法报应三身空假中三谛
【阿弥陀三字法报应三身空假中三谛】
（术语）阿字为本不生之义，故是空谛。弥字为吾我之义，故是随缘之假谛。陀字为如之义，故是中谛。又三身者，取阿字第五转方便究竟之义为应身，弥为报身，陀为法身。日本慧心之阿弥陀部心集曰：“阿即空之义也，弥者即假之义也，陀者即中之义也。”
（术语）阿字为本不生之义，故是空谛。弥字为吾我之义，故是随缘之假谛。陀字为如之义，故是中谛。又三身者，取阿字第五转方便究竟之义为应身，弥为报身，陀为法身。日本慧心之阿弥陀部心集曰：“阿即空之义也，弥者即假之义也，陀者即中之义也。”
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条