1) modern landscape painting with strong colors
现代重彩山水画
1.
The thesis interprets the transformation from the traditional concept of "different kinds with different colors"to modern coloring concept by analyzing the artistic practice of modern landscape painting with strong colors, and points outthat the whole si.
本文通过对现代重彩山水画艺术实践的梳理来解读传统“随类赋彩”的设色观念向现代设色观念的转变,并指出这种转变对于现当代中国画发展的整体性意义。
2) modern heavy color painting
现代重彩画
1.
The creation of modern heavy color painting needs to do the research about its own features,also needs to understand its language features,which is including its decoration,compatibility and the persuit of coloring and its conception runs always through the whole creative process with various creative techniques.
科技的发展、观念的更新,新的绘画材料的产生,给现代重彩画带来新的绘画语言和形式的变革,也给我们带来了多种新的视觉效果的可能。
3) modern heavy-coloured drawing
现代重彩绘画
4) On modern Color Painting
浅谈现代重彩画
5) Chinese modern water color
中国现代水彩画
1.
Summary: Since 80 s last century, the Chinese modern water color has break through on many ways such as the shape means, art style, the style characteristic and esthetics.
自上世纪80年代以来，中国现代水彩画在造型手段、艺术样式、审美取向和风格特征等方面取得全面突破，其他各画种的语言都被水彩画所吸收。
补充资料：次韵子由书王晋卿画山水二首
【诗文】：
老去君空见画，梦中我亦曾游。
桃花纵落谁见，水到人间伏流。
山人昔与云俱出，俗驾今随水不回。
赖我胸中有佳处，一樽时对画图开。
【注释】：
【出处】：
苏轼诗集 卷十九
老去君空见画，梦中我亦曾游。
桃花纵落谁见，水到人间伏流。
山人昔与云俱出，俗驾今随水不回。
赖我胸中有佳处，一樽时对画图开。
【注释】：
【出处】：
苏轼诗集 卷十九
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条