1) bold and unconstrained
豪放深沉
2) uninhibited
豪放
1.
Discuss again Song-Ci divide graceful,uninhibited reasonability;
再论宋词分婉约、豪放之合理性
2.
Su Shi is very cheerful and uninhibited in character,loves justice and peace,which results in his unhibited and generous style in his poems.
在中国古代文学史上,论起苏词,多以"豪放"赞之。
3.
As for the art style,her poems are powerful and uninhibited.
从艺术风格上看,秋瑾诗词雄浑刚健、遒劲豪放,一洗传统女性文学的脂粉之气,而多击节铿锵的时代之音。
3) unconstraint
豪放
1.
Mao Zedong poem and Ci should be regarded as unconstraint and graceful so that we can understand the great men s whole course of mind.
读毛泽东的诗词也当豪放、婉约兼读。
2.
The article suggests that in Song Ci the unconstraint school and the gracefulness school represent respectively the tradition of the Confucianist utilitarianism and that of the Taoist non-utilitarianism and contain the esthetic nature of “spirit” and “charm” implied in Chinese poetry.
通过对宋词中豪放词与婉约词的探究 ,认为其分别代表了中国诗学史上的儒家功利主义和道家非功利主义两种诗学传统 ;蕴含着“气”和“韵的和谐美的两种诗美形态。
4) bold
豪放
1.
His poem has the gloomy and bold origin in style.
构成辛弃疾"词侠"文化范式的是他积极入世的人生哲学及体现在词境词风中的沉郁豪放的渊源。
2.
Yu Hu Ci have many styles, such as bold, unconstrained and circumbendibus.
他继承和发扬苏轼的旷达词风，并接过南渡词人的沉重历史负担，继续高唱出抗金复国、重整河山的豪放爱国词，扬长避短，使思想与艺术渐趋完美结合。
5) bold and unconstrained
豪放
1.
The article tries to divide ancient Chinese literature into bold and unconstrained style and graceful and restrained style from the difference of writers view of humanistic value.
本文拟从创作主体的人文价值精神风貌的迥异出发,而将中国古典文学划分为豪放与婉约两类,并着重论述豪放风格中的两种类型:以李白、苏武为代表的悟道型和以杜甫、陆游为代表的守望型。
6) powerful and free
豪放
1.
A query on Su Shi s powerful and free school of Ci writing;
苏轼词风“豪放”说置疑
2.
It shows subtlety and conciseness, and powerful and free style, the combination of realistic and romantic spirit.
俄罗斯人崇尚自然 ;崇尚自然式爱情 ,此种自然崇拜式爱情通常具有两个基本特点 :其一 ,直觉形象思维 ,野性的浪漫 ,其次 ,与自然规律相通的曲折审美 ,阶梯式的复合理性 ,该类审美体现了婉约与豪放风格并重 ,现实与浪漫精神交织 ,而发散其中的达观诗意耐人寻味。
参考词条
补充资料：深沉
①深而不外露：感情深沉｜君为人深沉有大度。②程度深：暮色深沉｜深沉的苦闷。③低沉：深沉的叹息声。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。