2) uncontrolled school
豪放词派
1.
As a pioneer of uncontrolled school in the Chinese poetry ci history,the formation of the Su s poem style embodies the characteristic of the time,the personality of the individual,the subjective and objective factors conflicting between the personality and society,and the artistic factor of the poetry ci.
作为中国词史上豪放词派的开拓者,苏轼词风的形成既有时代特征和词人的个性以及这种个性与当时社会矛盾冲突的主客观因素,也包含着词自身的艺术因素。
3) uninhibited
[英][,ʌnɪn'hɪbɪtɪd] [美]['ʌnɪn'hɪbɪtɪd]
豪放
1.
Discuss again Song-Ci divide graceful,uninhibited reasonability;
再论宋词分婉约、豪放之合理性
2.
Su Shi is very cheerful and uninhibited in character,loves justice and peace,which results in his unhibited and generous style in his poems.
在中国古代文学史上,论起苏词,多以"豪放"赞之。
3.
As for the art style,her poems are powerful and uninhibited.
从艺术风格上看,秋瑾诗词雄浑刚健、遒劲豪放,一洗传统女性文学的脂粉之气,而多击节铿锵的时代之音。
4) unconstraint
[英]['ʌnkən'streint] [美][,ʌnkən'strent]
豪放
1.
Mao Zedong poem and Ci should be regarded as unconstraint and graceful so that we can understand the great men s whole course of mind.
读毛泽东的诗词也当豪放、婉约兼读。
2.
The article suggests that in Song Ci the unconstraint school and the gracefulness school represent respectively the tradition of the Confucianist utilitarianism and that of the Taoist non-utilitarianism and contain the esthetic nature of “spirit” and “charm” implied in Chinese poetry.
通过对宋词中豪放词与婉约词的探究 ,认为其分别代表了中国诗学史上的儒家功利主义和道家非功利主义两种诗学传统 ;蕴含着“气”和“韵的和谐美的两种诗美形态。
5) bold
[英][bəʊld] [美][bold]
豪放
1.
His poem has the gloomy and bold origin in style.
构成辛弃疾"词侠"文化范式的是他积极入世的人生哲学及体现在词境词风中的沉郁豪放的渊源。
2.
Yu Hu Ci have many styles, such as bold, unconstrained and circumbendibus.
他继承和发扬苏轼的旷达词风，并接过南渡词人的沉重历史负担，继续高唱出抗金复国、重整河山的豪放爱国词，扬长避短，使思想与艺术渐趋完美结合。
3.
The Tao Yuanming\'s poetry style is various, light is its main feature naturally, meanwhile his style is sincere and bold .
陶渊明诗歌的风格是多样的,平淡自然是其主要特点,同时还有淳厚与豪放的一面。
6) bold and unconstrained
豪放
1.
The article tries to divide ancient Chinese literature into bold and unconstrained style and graceful and restrained style from the difference of writers view of humanistic value.
本文拟从创作主体的人文价值精神风貌的迥异出发,而将中国古典文学划分为豪放与婉约两类,并着重论述豪放风格中的两种类型:以李白、苏武为代表的悟道型和以杜甫、陆游为代表的守望型。
补充资料：豪放派
| 豪放派 中国宋词风格流派之一。北宋诗文革新派作家如欧阳修、王安石、苏轼、苏辙都曾用“豪放”一词衡文评诗。第一个用“豪放”评词的是苏轼。据南宋俞文豹《吹剑续录》载：“东坡在玉堂，有幕士善讴，因问：‘我词比柳词何如？’对曰：‘柳郎中词，只合十七八女孩儿执红牙拍板，唱杨柳岸晓风残月。学士词，须关西大汉，执铁板，唱大江东去。’公为之绝倒。”这则故事，表明两种不同词风的对比。南宋人已明确地把苏轼、辛弃疾作为豪放派的代表，以后遂相沿用。 豪放派的特点，大体是创作视野较为广阔，气象恢弘雄放，喜用诗文的手法、句法写词，语词宏博，用事较多，不拘守音律，然而有时失之平直，甚至涉于狂怪叫嚣。南渡之后，由于时代巨变，悲壮慷慨的高亢之调应运发展，陈与义、叶梦得、朱敦儒、张孝祥、张元傒、陈亮、刘过等人承流接响，蔚然成风。豪放词派不但震烁宋代词坛，而且广泛地影响词林后学，从宋、金直到清代，历来都有标举豪放旗帜，大力学习苏、辛的词人。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条