2) Poetry mood
诗词意境
1.
There are many similarities between montage,a special technigue of expression in film art, and poetry mood .
作为电影艺术特有表现手段的蒙太奇与中国古典诗词意境的营造有许多相似性 :都要创造具有鲜明的感官性、再现性、此岸性的“象”(镜头或意象 ) ;都要通过“象”与“象”的联接组合以传达出原来单个的“象”所没有的新意—“象”外之象 ;都要通过“象”与“象”的联接组合手段等等。
4) A Brie Discussion on the Beauty of Poetry Conception
浅谈诗词意境美
5) poetic conception
诗境
1.
"Observing Flowers in the Fog" Versus "Seeing Words Before Eyes"——an analysis concerning Mr.Zhu and Ye s poetic conception;
“雾里看花”与“语语都在目前”——论朱光潜与叶维廉有关诗境的看法
2.
SI Kongtu proposed that the key to create the poetic conception was not the poet s assiduously seek and painstaking efforts to the specific skills of composing poems, but the poets spiritual quality of leisurely and carefree mood and keeping aloof to the world, and.
对于司空图《二十四诗品》的主旨向来有不同的看法,有人认为是风格论,也有人说是创作论,本人以为“诗品”即时诗的品评,且在《二十四诗品》中可以看出,司空图认为创造一种诗境的关键不在于诗人对写诗的具体技巧如何孜孜以求、苦心孤诣,而在于诗人是否具有一种虚静恬淡、超尘拔俗的精神品格,在于诗人同自然造化的契舍程度。
3.
Successful in creating profound poetic conception,the technique derives from Du Fu s cosme tic concsiousness and his unique sen se of time and space.
这种手法在创造宏深诗境上取得了成功。
6) poetic context
诗境
1.
Nevertheless, it is the right unity of images and feelings of each poem that creates its perfect poetic context of its own.
然而,正是由于两诗各自在情趣与意象上的契合,才创造出了各自完美的诗境。
2.
TAO(陶) and LIU(柳) has always been mentioned together, Roughly speaking, TAO(陶) and LIU(柳) are similar concerning the understanding of poetic context, but actually they had more "differences", their similarities comes from the surface rather than the essence.
粗看起来,在诗境冲淡的一格上来说,柳确实有与陶相似的一面,但陶柳的相似只是表面的而非本质的,二人之间更多的是"不似"。
补充资料：词境
1.词的意境。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条