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1)  Zhang zan
璋瓒
2)  Ni Zan
倪瓒
1.
Comparing Jian Jiang and Ni Zan’s Differe nt Ways in Learning from the Tradition;
渐江与倪瓒取法传统的比较研究
2.
A Degage and Natural Writing Brush,New and Graceful Calligraphy——Ni Zan s calligraphy and landscape;
逸笔草草——倪瓒书法与其山水画
3.
"Carefree pen" "carefree energy of life" "carefree style" ——the limited view of the inner meaning connection in the painting of NI Zan;
“逸笔”“逸气”“逸格”——蠡测倪瓒绘画中“逸”的内蕴关联
3)  Nizan
倪瓒
1.
On the Change of Nizan′s Mental State;
倪瓒逸民遗民心态变化论
2.
On NiZan Being More Famous for His Poems than His Paintings;
论倪瓒的当时诗名大于画名
3.
On the Beauty of Artistic Conception of Wangmeng and Nizan s Landscape Patinting;
论王蒙、倪瓒山水画的意境美
4)  Gui zan
圭瓒
5)  ZHU Xi-zu
臣瓒
1.
On the Paper of ZHU Xi-zu: The Examination of the CHEN Zan s Surname;
论朱希祖的《臣瓒姓氏考》
6)  Zhou Zan
周瓒
1.
Based on researches of female consciousness--- body, maternity, sex and life ones and their expressions in contemporary feminist poetry, this paper aims to expound the existence and value of feminist poetry as well as the vicissitude of female consciousness through the reading and comparison of three female writer s writing, to wit, Shu Ting, Zhai Yongming and Zhou Zan.
本文试图通过对当代女性诗歌中的女性意识的挖掘,尤其是探讨身体意识、母性意识、两性关系、生命意识在诗歌中的反映,来阐述说明女性诗歌的存在及其意义,并通过解读、比较以舒婷、翟永明、周瓒和尹丽川为代表的三代女诗人的写作来阐述女性诗歌中的女性意识变化情况。
补充资料:璋瓒
1.古代祭祀时打鬯酒的玉器,以璋为柄。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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