3) absurd comedy
荒诞喜剧
1.
Chinese absurd theatre, which began with imitation, has become a kind of absurd comedy with Chinese characteristic through absorption and misreading of foreign comedy over twenty years.
由模仿开始的中国荒诞戏剧在经历了20年的吸纳、误读之后,最终形成了带有中国特色的荒诞喜剧。
2.
Absurd comedy is a kind of new style of comedy with three characteristics as following: absurdity,tragic feeling and philosophy.
荒诞喜剧是在20世纪走向成熟的一种新的喜剧类型,荒诞性、悲剧感、哲理化是其突出的三个特点。
4) The Theatre of the Absurd
荒诞派戏剧
1.
The Theatre of the Absurd,which was born in France in 1950s,toppled over the conception of traditional plays.
20世纪50年代兴起于法国的荒诞派戏剧彻底颠覆了传统的戏剧观念。
2.
Now it is necessary and important for us to make objective analysis and comments on the Theatre of the Absurd.
荒诞派戏剧于20世纪50年代初期在欧洲崛起,于80年代初期开始影响中国,对中国戏剧界产生了冲击波,一些人写了荒诞剧,由于中西方剧作家对荒诞剧理解上的迥异,中西方荒诞剧作品中在主题的表达、人物的塑造、时空的安排、语言的运用等多方面有较大的差异,在"荒诞剧热"已经降温的今天,对荒诞派戏剧的社会意义与艺术价值进行冷静客观的分析是有意义的。
3.
This paper is a brief introduction to the rise and the common characteristics of “the Theatre of the Absurd".
本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
5) theatre of the absurd
荒诞派戏剧
1.
Aphasia of the Traditional Language——On the language of theatre of the absurd;
传统语言的失语——略论荒诞派戏剧的语言
2.
The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。
3.
Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.
贝克特颠覆传统戏剧要素,开创了一种戏剧新形式“荒诞派戏剧”。
6) absurd theater in the Qing Dynasty
清代荒诞剧
补充资料：荒诞
极不真实；极不近情理：～不经ㄧ～无稽ㄧ情节～。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条