1.
The Absurd Life in the Absurd World--On the Theatre of Absurd from Beckett and Ionesco;
荒诞世界中的荒诞人生——从贝克特与尤奈斯库看西方荒诞戏剧
2.
This strained conceit never quite locates screen equivalents for the stage absurdisms(Village Voice)
这种牵强的自负永远不会找到与荒诞戏剧相对应的电影(乡村之音)
3.
Elementary Approach to Unisku s Drama --Supplementary Approach to Drama of the Absurd;
尤奈斯库戏剧浅谈——兼论荒诞派戏剧
4.
Inheritance and Transformation of the Absurd Theatre: On Stoppard s Parodic Absurd Plays;
荒诞派戏剧的继承与变奏——论斯托帕德的戏仿型荒诞剧
5.
Judging the Antiplay Characteristics of the Theatre of the Absurd from "Waiting for Godot";
从《等待戈多》看荒诞派戏剧的反戏剧特征
6.
Returning To The Origin And Starting Again -A Study of the Absurd Theatre s Histrionicism;
回到原点再出发——试论荒诞派戏剧的戏剧性
7.
The striking features of absurd drama;
反传统·反理性·反戏剧——荒诞派戏剧特征谈
8.
On the Similarity and Difference Between the Drama of "Absurd Groups"and"Black Humor"Novels
“荒诞派”戏剧与“黑色幽默”小说比较研究
9.
Study on Harold Pinter,an English Fantastic Playwright
英国荒诞派戏剧作家哈罗德·品特研究
10.
On Absurdity in Edward Albee s Early Plays;
论爱德华·阿尔比早期戏剧的荒诞性
11.
A Study of Edward Albee s Theatre of Absurd in His Three Plays;
爱华德·艾尔比戏剧的荒诞派特色研究
12.
A Complete Anti-tradition --On Features of Absurdist Drama Are Anti-traditional;
对传统的彻底反叛——荒诞派戏剧特征谈
13.
The Absurd Parody and Symbols:The Absurd Theatre Theory in The Zoo Story;
荒诞的类比象征——论《动物园的故事》中荒诞派戏剧理论的运用
14.
The Signal of Absurd--The Characters of Postmodemism in the Language of Absurd Plays;
直喻荒诞的符号——荒诞派戏剧语言的后现代主义之维
15.
Explain fantastic to like life while being sad directly Fantastic innovation and creation of sending the drama out of the common;
直喻荒诞悲喜人生——论荒诞派戏剧与众不同的革新与创造
16.
Aphasia of the Traditional Language--On the language of theatre of the absurd;
传统语言的失语——略论荒诞派戏剧的语言
17.
From Beckett to Pinter: Aspects of Anxiety In Theatre of the Absurd;
从贝克特到品特:荒诞派戏剧之焦虑面面观
18.
The achievement and limitation on fantastic school drama --Informal discussion about Lnoesco s Touer;
荒诞派戏剧的成就与局限——尤奈斯库的《头儿》漫论