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1)  the writing of poem
诗的文字
1.
In Fei Ming’s opinion, the difference between classical poetry and free verse firstly consists in content: the former content belongs to that of prose while the latter that of poem; secondly, in writing: the former is the writing of poem, but the latter is of the prose.
废名认为,旧诗与新诗或者非诗与诗的区别首先在于内容,前者是散文的内容,后者是诗的内容;其次在于文字,前者是诗的文字,后者是散文的文字;诗是诗的内容在散文的文字里得以自由、纯粹、完整表现的文学样式。
2)  The name of a poet
诗人的名字
3)  verbal poetic images
诗歌文字意象
1.
This thesis intends to explore the nature of verbal poetic images through analyzing the cognitive classifications and cognitive models of them to draw the conclusion that poetic language and poetic images can be analyzed and that poetic text yields to cognitive studies.
本文旨在通过分析诗歌文字意象的认知分类与认知模式发现其本质,诗歌语言与诗歌意象可以进行分析,诗歌需要认知分析,藉此可以对诗歌文本有更为深刻全面的理解。
4)  alphanumeric [英][,ælfənju:'merɪk]  [美]['ælfənju'mɛrɪk]
文字数字的
5)  poem with essay characteristics
诗的散文化
6)  "The Prosaic Beauty of Poetry"
诗的散文美
1.
On the Theoretical Defect of Ai Qing’s “The Prosaic Beauty of Poetry”;
论艾青《诗的散文美》一文的理论缺失
补充资料:酬别襄阳诗僧少微(诗中答上人归梦之意)
【诗文】:
证心何有梦,示说梦归频。文字赍秦本,诗骚学楚人。
兰开衣上色,柳向手中春。别后须相见,浮云是我身。



【注释】:



【出处】:
全唐诗:卷818-19
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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