How should one create real dancing works which are of great art attraction and impression? How should one grasp aesthetic creation thinking in dancing art? The author holds that one can do the following three aspects: the affection transferring of "movements flow", the image out of impression in "deified shapes" and rhythm followed "poetic emotion".

From three aspects, this paper compared the different between Chinese-Western painting art, including the relationship of shape and spirit, space behaving and art means, then, also discussed primarily Chinese-Western culture and philos.

Content: From the relations between Transcendence and four circumstances, langue and thoughts, object and mind, shape and spirit, conceiving of image, this thesis discovered the development of Transcendence , defined its meanings, displayed the relation between Transcendence and interrelated items, identified the place of Transcendence.

Su Shi s Concept of "Form and Spirit" in Painting and the Relationship with Buddhism;

The employment of transfarmation contributes much to the vividness of the literary image in both form and spirit and adds to its aesthetic value.

By the study of hiterature and logic,this paper makes on inuestigation into the ancient study of regrine in Chinese Wushu and the form and spirit in moder Wushu nespectively furthermore,it discusses their relationship and procdures in realizing the combination of the form and spirit.

By systematizing historical documents, paleography and archaeological materials in the open country, the author of this paper, based upon the researches of predecessors, carefully studies the main divine images in the Shang and Zhou Dynasties and arrives at the conclusion that human images, animalimages and invisible images are the original ones of the ban divine images in the two dynasties.

‘Body and spirit’ is a pair of category that indicates the relationship between body and spirit.